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© Center for Jewish Art, Photographer: Radovan, Zev, 9.1994
בא'ה אמ'ה הפותח לנו שערי רחמים A decorated portalon the entire page encloses the following portion of the morning prayer for the service of the Day of Atonement: "Blessed be Thou ... who openest the gates of mercy..." The portal is surmounted by two side-turrets and is flanked by the two parts of an open door in burnished gold. The initial word, "Barukh" (Blessed), written in black ink, is set against a background of red scrolls with blue dots, inside the tympanum of the arch. Two yellow dragons with green wings flank the initial word. The word "Sha'arei" (Gates), is written in burnished gold below the initial word on a blue ground highlighted with red dotted rosettes. Three fabulous animals are arranged in the space between the letters of: on the right of the word, a tall green dragon with pink wings; on the left, a pink lion, his tail ending in flourishes and in the middle a red fox looking upwards. Five medallions decorate the portal. The uppermost medallion, situated at the center of the arch, encloses an empty, golden throne against a starry sky. The other four medallions, set on the capitals and bases of the columns of the portal enclose the four winged creatures of Ezekiel's vision (1:5-15), set against a golden ground. The capital of the column on the right encloses a red angel with a golden halo; the capital of the left column encloses a pinkish eagle; the base of the column on the right encloses a pink lion; and the base of the left column encloses a pink bull. One of the angel's eyes is scratched out.
Name/Title
Wroclaw Mahzor | Unknown
Object
Object Detail
Fol. 89v
Settings
Unknown
Date
13th century
Active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Historical Origin
Unknown
Community type
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Documentation / Research project
Unknown
Material / Technique
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
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Thickness
Diameter
Weight
Axis
Panel Measurements
Condition

Good

Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Textual Content
Unknown |
Languages of inscription
Unknown
Shape / Form
Unknown
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks
The picture was executed by the same artist as that of the Sacrifice of Isaac on fol. 46v, in the same colors of purple-red and yellow, which are typical of the Lower Rhinish school. See also remarks on card no. 10003. The eyes of the angel in the medallion on this folio, and of Abraham, Isaac and the angel on fol. 46v, were originally depicted open, but were scratched out at a later date.
Remarks
Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Bibliography

De Haas, Ph. “Beschreibung der Breslauer deutschen Machsor-Handschriften”, in: Soncino Blutter, Berlin 1927, pp. 33-35.

Plessner , M., “Eine illustrierte deutsche Machsorhandschrift in Breslau”, in: Menorah, Vienna, 1927, pp. 85-91.

Romanoff, p., “The fox in Jewish Tradition”, in: From Dura to Rembrandt, Jerusalem, 1990, pp. 76-78.

Wischnitzer, R., “The Messianic Fox”, in: From Dura to Rembrandt, pp. 70-75; idem, “A reply to Dr. Romanoff”, in: From Dura to Rembrandt, Jerusalem, 1990 , pp. 79-80. idem, “Medieval Haggadoth”, in JQR, year..., pp....

Short Name
Full Name
Volume
Page
Type
Documenter
Bezalel Narkiss (1990), Keren Katsir-Stiebel (1994), Yaffa Levy (1994, 2000) | B.N. 1990, Y.L. & K.K.S. 1994
Author of description
Yaffa Levy, Keren Katsir-Stiebel |
Architectural Drawings
|
Computer Reconstruction
|
Section Head
Michal Sternthal-Spielman |
Language Editor
Judi Cardozo | 5. 2000
Donor
|
Negative/Photo. No.
0006032