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© ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art, Photographer: Unknown, -

In the upper margin, landscapes nos. 3, 4, and 1 are printed and in the lower margin, there are frames nos. 11-13.

Frame 11: The second banquet given by Esther is depicted (Es. 7:1). Together with the queen, the king and Haman are seated at a table. A servant is approaching the table with a tray.

Frame 12: On the right, on a bed with a canopy reclines Esther. Haman is falling on the bed while he is begging the queen for his life and this happens at the moment when the king returns from the palace gardens (Es. 7:8); he is shown on the right. In the small rectangular window, a gallows is visible; this is the same gallows that Haman built for Mordecai (Es. 5:14) and its presence here suggests the upcoming death of Haman (Es. 7:10).

Frame 13: On the left, a table with three scribes seated at it is shown; most likely they write the decree allowing the Jews to defend themselves (Es. 8:8-10). On the right, two messengers of the king are going to deliver the new decree (Es. 8:14).

Name/Title
HLB Esther Scroll with Landscapes II | Unknown
Object Detail
col. 11-13
Date
early 18th century
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown | 8º A 6
Site
Unknown
School/Style
Scrolls with landscapes|

The family of Dutch Esther scrolls from the early 18th century designed by an anonymous engraver whose decorative scheme is characterized by four different landscapes framed in cartouches of different shapes that fill upper margins. The scrolls of this family begin with a panel composed of several figurative scenes from the Book of Esther narrative. The text columns are interspaced by the columns decorated with reliefs, elaborate acanthus leaves and garlands above which are either decorative capitals or putti holding the baskets with flowers on their heads. Lower margins are filled with the figurative scenes that chronicle the Purim story or allude to midrashim and other sources; they are interspersed by vases with plants. The same decoration repeats on all four sheets forming each manuscript. Some of their exemplars are painted by hand.

Period
Unknown
Period Detail
Material/Technique
Ink on parchment
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Unknown
Type of grave
Unknown
0
Ornamentation
Custom
Contents
Book of Esther in Hebrew with benedictions
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
None
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

The description was made solely on the basis of the images, with no access to the manuscript itself.

There are two variants of the scrolls decorated with this pattern that in the Index are marked "I" and "II". In some exemplars, just below the decorative herms, the pedestals with angel's heads and bases were added, therefore, the text panels are higher; this type is marked with "II". Whereas, the rest of the manuscripts containing no pedestals with angel's heads and bases are marked with "I". The latter are more numerous.

Similar narrative scenes are included in the scrolls with "portrait medallions" (see their descriptions in the Index); some of them are their mirror image.

The earliest scroll sharing similar engraved pattern is dated to 1701; this is the megillah BCM 25 from the Braginsky Collection in Zurich (see http://braginskycollection.com/esther-scrolls/; accessed on 22.04.2020).

Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
Dagmara Budzioch | 2020
Researcher
Dagmara Budzioch | 2020
Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
M600378