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© ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art, Photographer: Unknown, -

Cartouche 9 (upper margin): On the right, Ahasuerus sits on the throne with a canopy and extends his scepter to the crowned Esther who kneels before him and touches the tip of it. Two men stand behind the throne and Esther is accompanied by two maid-servants (Es. 5:2-3). On the left, the first banquet given by Esther is depicted. Esther, Ahasuerus, and Haman sit at a round, laid table set in palace gardens. A man serving the dishes is just approaching the table (Es. 5:5). 

Cartouche 10 (lower margin): On the right, Haman wearing a turban stands and talks to two women; probably one of them is Zeresh, Haman's wife, at the moment when she is suggesting him to build the gallows for Mordecai (Es. 5:14). In the central part of the cartouche stands the gallows prepared by Haman for Mordecai (Es. 5:14). On the left, Ahasuerus reclines on a bed and two men stand before him; one of them reads from an open book to the king (Es. 6:1).

Name/Title
Biblioteca Casanatense Gaster I Type Esther Scroll | Unknown
Object Detail
text panel 5
Date
second half of the 17th century
Synagogue active dates
Reconstruction dates
Artist/ Maker
Unknown (Unknown)
Origin
Italy | Veneto | Venice
| (?)
Historical Origin
Unknown
Community
Unknown |
Location
Unknown |
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Material/Technique
Ink and paints on parchment
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
An average letter is around 2 mm (on the second sheet, the letters are a bit lower than 2 mm), whereas in col. 16 the letters are 5 mm high.
Height
165 mm
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
In general, the scroll is preserved in good condition except for the text on the first membrane copied in black ink that at present is heavily faded; some letters are barely legible. In some places, the printed border is hardly visible (e.g. the lower part of the second floral decoration on the first membrane). The parchment is still bright and well preserved (there are no holes and the edges are straight).
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
0
Ornamentation
Custom
Contents
The Book of Esther in Hebrew
Codicology

The scroll is formed of 3 membranes on which the Book of Esther is inscribed in 19 text columns (in 10 panels; 9 of them are double and the last one is single) with 22 lines each, except for the col. 16 with 11 lines divided into two parts.

The style of the script on sheets nos 2 and 3 is different than on the first sheet; the shade of ink is darker, the letters are smaller and the handwriting is denser even if the particular strokes are thinner. However, it still represents the square Italian type of Hebrew script. Possibly two different instruments were used for copying the text in the scroll.

The traditional enlarged and smaller letters are included only in the section of the IX chapter listing the names of Haman's sons (col. 16).

The ruling is visible, although not everywhere equally. In some places also the pricking can be seen. 

The text is copied and the border is printed on the flesh side of the parchment sheets that are stitched.

Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
None
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks

The name "Gaster I" was introduced by Mendel Metzger in an article entitled "The Earliest Engraved Italian Megilloth" published in the "Bulletin of the John Rylands Library" (48:2 (1966), 381‒432, esp. 390). The type was named after Moses Gaster (1856–1939), the rabbi, scholar, and manuscript collector of whose collections a scroll adorned with this pattern formed a part (at present this is the scroll Gaster Hebrew MS 710 stored in the John Rylands Library in Manchester). At least 25 manuscripts representing this type are still extant and are preserved in private and institutional collections. For descriptions of other scrolls representing the same pattern see ID nos: 61, 1098, 1441, 21702, and 34125.

Two paper stickers containing the Library's inscription: "Mss Regia Biblioteca Casanatense Roma" and the number "Mss. 4851" are pasted on the opening section of the scroll, on its recto and verso side. Above the sticker, on the recto side, handwritten date or number 1743 is visible.

On the upper part of the verso side of the first sheet, there is an inscription: "FFFIV* CAPSULA No 5".

In the ornamentation some traces of gold are visible.

The background of the upper and lower margins is painted in a few different hues of blue color; the paint on the lower margin of the third membrane is barely visible, whereas the shade on the first membrane is saturated.

The membranes represent different types of parchment.

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

Suggested Reconsdivuction
History/Provenance
Main Surveys & Excavations
Bibliography

The scroll is described in:

Valeria Antonioli Martelli, Luisa Mortara Ottolenghi, Manoscritti biblici ebraici decorati provenienti da biblioteche italiane pubbliche e private: catalogo della mostra ordinata presso la Biblioteca Trivulziana: catalogo della mostra ordinata presso la Biblioteca Trivulziana, Castello Sforzesco, Milano, 2/28 marzo 1966 (Milano: Adei-Wiso) 1966, 62-63, object 17 + plate no. 12. (It lists an additional bibliography discussing the manuscript.

Ernest Namenyi, "The Illumination of Hebrew Manuscripts after the Invention of Printing," in Cecil Roth (ed.), Jewish Art, an Illustrated History (London, 1961), col. 433.

The bibliography on other manuscripts featuring the same pattern:

Short Name
Full Name
Volume
Page
Type
Documenter
Dagmara Budzioch | 2020
Researcher
Dagmara Budzioch | 2020
Architectural Drawings
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Computer Reconsdivuction
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Section Head
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Language Editor
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Donor
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Negative/Photo. No.
M602213