A generalized silhuette of a man's figure is left lighter than the dark background. It is modelled inside using mostly the natural texture of vertical damp patchs. Only the thin hands that are joined below
and the thin feet that are making a step are clearly discernable. He has a face of a Jew,with wide eyes looking at the spectator.The line of the wooden collar devides the head and the body.
Name/Title
Lion, Procession in wooden collars | Not relevant
Object
Object Detail
Date
1964
Synagogue active dates
Reconstruction dates
Artist/ Maker
Origin
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Location
Unknown |
Site
Unknown
School/Style
Period
Unknown
Period Detail
Collection
Documentation / Research project
Unknown
Category
Material/Technique
broad brushwork, damp patchs.
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
250cm
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Condition
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Unknown
Type of grave
Unknown
0
Ornamentation
Custom
Contents
Codicology
Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
Scribal Notes
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding
Decoration Program
Summary and Remarks
For another exemple of wall decoratio in the artist's house see OC 8087
Suggested Reconsdivuction
History/Provenance
The painting was a part of the fresco cycle made by . the artist in the house where he dwelt. The whole work was destroyed by the next dweller; only fragments have been preserved in photograph.
Main Surveys & Excavations
Bibliography
Short Name
Full Name
Volume
Page
Type
Documenter
| L.K.K. 2.1993
Researcher
|
Architectural Drawings
|
Computer Reconstruction
|
Section Head
|
Language Editor
|
Donor
|
Object Copyright
Lion Family
Negative/Photo. No.