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  (XI) Obj. ID: 26154 Vienna Liturgical Pentateuch,, Germany, 14th century. // Unknown edit  
Category: Hebrew Illuminated Manuscripts


2 Name/Title Vienna Liturgical Pentateuch | Unknown
3a Object Pentateuch
3b Object Detail
4a Artist/ Maker Unknown (Unknown)
5 Date 14th century
5a Activity Dates
5b Reconstruction Dates
6 Period Unknown
6a Period Detail
7 Origin Germany
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. hebr. 19 (Schwartz, No. 12)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Unknown|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
20 Remarks
20 Description

Link to ONB's Database 


More Details...
 
21 Ornamentation
22 Custom
23 Contents
Pentateuch, Five scrolls and Haftarot. Vocalized and punctuated.
Massorah parva.
Pentateuch (fols. 1-195):
Genesis (fols.1*-51); Exodus (fols. 51-94v); Leviticus (fols. 94v-124v); Numbers (fols. 124v-164); Deuteronomy (fols. 164-195)
Esther scroll (fols.196-203)
Haftarot (for whole year including festivals and special Sabbaths) (fols. 203-248v)
Song of Songs (fols. 248v-250v); Ruth (fols. 250v-253); Lamentations (fols.253v-256v); Ecclesiastes (fols. 256v-261v)
Haftarot for Shmini Atseret (fols. 262-262v) and Shabbat ha-Gadol (fols. 262v-263)

* The beginning of the Genesis (1:1-5, 10-14) is also written on the verso side of the first leaf in the first quire (fol. I), whereas the verses 6-9 (the second day of creation) are missing and added on the outer margin. The text of the Genesis and the marginal addition are written by the hand of the original scribe, but they are not vocalized and punctuated.

24 Codicology

: Parchment, 264 leaves

             

Measurements

 

Full page:  214 x305 mm

 

Text space:  (195-200) x (135-140) mm    

 

Scribes

The text is written by a single scribe.

 

Columns

The text is written in one column, except for Shirath Heezinu which is written in two columns (fols. 192v-194).   

 

Script

The text is written in square Ashkenazi script in black ink.

 

Number of lines

Mostly the text is written in 24 lines per page. Sometimes, there are 22-23 lines.

The scribe finishing the manuscript disposed the text in a way allowing for filling an empty space on the leaf. The same system occurs at the ends of different section. Sometimes, almost all letters of last line are widened for filling the line (e.g. fol. 51).

 

Ruling

The ruling is done by plummet.

25 horizontal lines + 3 lines at the top and 3 lines at the bottom for massorah magna (never written).

2+2 or 3+2 vertical lines.

 

Pricking

All four margins are pricked.

 

Quires

35 quires of 8 leaves each, except for I (8-1) (the first leaf is numbered by Roman "I" and the second one is missing), XXXI (4), XXXIV (1+1) (two single leaves stuck together), XXXV (2+1) (fol. 263 is the last text leaf stuck to fol. 262. Fol. 263v is blank).   

 

 

 It is difficult to discern between hair and flesh sides.   

 

Catchwords

There are irregular catchwords written in the lower left-hand corner on the final verso of some quires. They are horizontal and decorated with dots. Two catchwords are vertical (fols. 206v and 214v).

 

Hebrew numeration

None

 

Blank leaves

Fols. 195v and 263v are blank. 

24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors
25k Construction Material

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
None
31 Scribal Notes
The notes, correcting and completing the text were written in the margins, close to the text. Probably they were done by the scribe himself, in square and semi-cursive Ashkenazi script in light brown ink (e.g. fol. 157)
On the fol. 203r (at the end of the book of Esther, in the middle of the page), on an erasure there is a note written in square Ashkenazi script in black ink as the text:
"חסלת ספר מגילה ובעזרת השם\ אני צריך להתחיל הפטרות בשם שכן בעננות"
"The book of Megilla is finished and with the Lord's help I have to begin Haftarot, in the name of the dweller in the Heaven"

32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding

The late Gothic leather binding is shaped like a box. It is probably the original binding of the manuscript.

Brown leather partly sewed at the edging, upon upper and lower wooden boards. Holes of center and corners studs in upper and lower covers are noticeable, as well as holes for two clasps in lower cover. Today a center hook on the edge of lower cover hooks onto a ring in the edge of upper cover.  

Small stamp of a star was used for the frame. Traces of five large studs and two long clasps are found; from them the middle one is modern.

On the front cover, a rectangular panel bears eight inhabited medallions arranged in pairs and a pair of empty half medallions in the lower row. Within the medallions, there are depictions of animals (birds, monkeys, dragons). The panel is surrounded by a frame filled with a scroll of trefoil leaves.  

The back is divided into four rhomboids and triangles by diagonal strips. Within each rhomboid and triangle, there are depictions of animals in various postures (dragons, monkeys and birds, all mostly hybrids).      

The spine of the cover is divided by three double cords into four sections head and tail rope bands. Four dragons are depicted within each section.

36 Decoration Program
  1. Large initial words (5 lines) open the book of Genesis (fol. 1). Other beginnings of the Pentateuch books do not have any initial words. They are separated one from the other by four empty rows. Smaller initial words (2-3 lines) open the pericopes of the Book of Genesis, starting with pericope ויראה (fol. 14v) and the opening words of Haftarot (fols. 203-248v), Song of Songs (fol. 248v), Ruth (fol. 250v), Lamentation (for each chapter) (fols. 253v-256v), Ecclesiastes (fol. 253v), and the last two Haftarot (fol. 262-262v).  
  2. Some letters in the initial words are embellished with decorative elements. For example, the ascenders of lamed is shaped like fleur-des-lys (e.g. fols. 225v, 238v).
  3. Shaped text on the last leaf of the manuscript (fol. 263) is disposed as two triangles turned to each other with their apexes. The last word is even written vertically. In other cases the text is disposed geometrically, as a triangle plus one line at the end of Ruth (fol. 253). 
36 Summary and Remarks

This liturgical manuscript of the 14th century copied in Ashkenaz by a single scribe.

It is highly important for its original binding

38 Suggested Reconstruction
39 History/Provenance

On the recto side of the first leaf (fol. I) there is an owner's inscription: כ"ג אלול קנד"ל (28 August, 1424).
On the lower paste down there is a note: Liber collegii ducalis Viennae.
On fol. I "No. 45" is written.
In 1759 the manuscript was housed in Old University Library of the Court Library in Vienna. In 1809 it was in Paris and in 1815 it appeared again in the Court Library in Vienna.

40 Main Surveys & Excavations
41 Condition
The manuscript is in good condition.
42 Biography
43 Bibliography
Schwarz, Catalogue, no. 12, p. 11.
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
26154
48 Temp: Addenda
OVRPO=ntl%3Atrue%2Cntl_localname%3Atrue%2Csubject%3A%2Csubject_detail%3A%2Cobject%3Atrue%2Cobject_detail%3A%2Cmaker_profession%3Atrue%2Cmaker_name%3Atrue%2Cmaker_detail%3Atrue%2Cdate%3Atrue%2Cperiod%3Atrue%2Cperiod_detail%3Atrue%2Cphotographer%3A%2Cphoto_date%3A%2Cphotographer_copyright%3A%2Corigin%3Atrue%2Corigin_detail%3Atrue%2Chistorical_origin%3Atrue%2Cschool%3Atrue%2Cschool_detail%3Atrue%2Ccommunity%3Atrue%2Ccommunity_detail%3Atrue%2Ccollection%3Atrue%2Ccollection_detail%3Atrue%2Ccopyright%3Atrue%2Csite%3Atrue%2Csite_detail%3Atrue%2Clocation%3Atrue%2Clocation_detail%3Atrue%2Cdescription%3A%2C&

Registrar
Function: Name: Date:
49 Documenter Ilona Steimann 08.05.2005 49a
50 Researcher Ilona Steimann 09.05.2005 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head Michal Sternthal 53a
54 Editor Judith Cardozo 54a
55 Donor 55a

Less Details


Object's images (4 image(s))

     

(XXII) ID: 261236 Vienna Liturgical Pentateuch, Binding-front cover, Germany, 14th century edit
Category: Hebrew Illuminated Manuscripts
ID: 261236 Vienna Liturgical Pentateuch, Binding-front cover, Germany, 14th century edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Liturgical Pentateuch | Unknown
3a Object Pentateuch
3b Object Detail Binding-front cover
4a Artist/ Maker Unknown (Unknown)
5 Date 14th century
6 Period Unknown
7 Origin Germany
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. hebr. 19 (Schwartz, No. 12)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Unknown|
13 Iconographical Subject Inhabited medallion
Monkey
Bird
Dragon
Foliate scrolls |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M001102
20 Description

The late Gothic leather binding is shaped like a box. It is probably the original binding of the manuscript.

Brown leather partly sewed at the edging, upon upper and lower wooden boards. Holes of center and corners studs in upper and lower covers are noticeable, as well as holes for two clasps in lower cover. Today a center hook on the edge of lower cover hooks onto a ring in the edge of upper cover.  

Small stamp of a star was used for the frame. Traces of five large studs and two long clasps are found; from them the middle one is modern.

On the front cover, a rectangular panel bears eight inhabited medallions arranged in pairs and a pair of empty half medallions in the lower row. Within the medallions, there are depictions of animals (birds, monkeys, dragons). The panel is surrounded by a frame filled with a scroll of trefoil leaves.  

The back is divided into four rhomboids and triangles by diagonal strips. Within each rhomboid and triangle, there are depictions of animals in various postures (dragons, monkeys and birds, all mostly hybrids).      

The spine of the cover is divided by three double cords into four sections head and tail rope bands. Four dragons are depicted within each section.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
261236
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 261238 Vienna Liturgical Pentateuch, Binding-spine, Germany, 14th century edit
Category: Hebrew Illuminated Manuscripts
ID: 261238 Vienna Liturgical Pentateuch, Binding-spine, Germany, 14th century edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Liturgical Pentateuch | Unknown
3a Object Pentateuch
3b Object Detail Binding-spine
4a Artist/ Maker Unknown (Unknown)
5 Date 14th century
6 Period Unknown
7 Origin Germany
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. hebr. 19 (Schwartz, No. 12)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Unknown|
13 Iconographical Subject Dragon |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M001103
20 Description

The late Gothic leather binding is shaped like a box. It is probably the original binding of the manuscript.

Brown leather partly sewed at the edging, upon upper and lower wooden boards. Holes of center and corners studs in upper and lower covers are noticeable, as well as holes for two clasps in lower cover. Today a center hook on the edge of lower cover hooks onto a ring in the edge of upper cover.  

Small stamp of a star was used for the frame. Traces of five large studs and two long clasps are found; from them the middle one is modern.

On the front cover, a rectangular panel bears eight inhabited medallions arranged in pairs and a pair of empty half medallions in the lower row. Within the medallions, there are depictions of animals (birds, monkeys, dragons). The panel is surrounded by a frame filled with a scroll of trefoil leaves.  

The back is divided into four rhomboids and triangles by diagonal strips. Within each rhomboid and triangle, there are depictions of animals in various postures (dragons, monkeys and birds, all mostly hybrids).      

The spine of the cover is divided by three double cords into four sections head and tail rope bands. Four dragons are depicted within each section.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
261238
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 261240 Vienna Liturgical Pentateuch, Binding-spine, Germany, 14th century edit
Category: Hebrew Illuminated Manuscripts
ID: 261240 Vienna Liturgical Pentateuch, Binding-spine, Germany, 14th century edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Liturgical Pentateuch | Unknown
3a Object Pentateuch
3b Object Detail Binding-spine
4a Artist/ Maker Unknown (Unknown)
5 Date 14th century
6 Period Unknown
7 Origin Germany
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. hebr. 19 (Schwartz, No. 12)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Unknown|
13 Iconographical Subject Dragon |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M001103
20 Description

The late Gothic leather binding is shaped like a box. It is probably the original binding of the manuscript.

Brown leather partly sewed at the edging, upon upper and lower wooden boards. Holes of center and corners studs in upper and lower covers are noticeable, as well as holes for two clasps in lower cover. Today a center hook on the edge of lower cover hooks onto a ring in the edge of upper cover.  

Small stamp of a star was used for the frame. Traces of five large studs and two long clasps are found; from them the middle one is modern.

On the front cover, a rectangular panel bears eight inhabited medallions arranged in pairs and a pair of empty half medallions in the lower row. Within the medallions, there are depictions of animals (birds, monkeys, dragons). The panel is surrounded by a frame filled with a scroll of trefoil leaves.  

The back is divided into four rhomboids and triangles by diagonal strips. Within each rhomboid and triangle, there are depictions of animals in various postures (dragons, monkeys and birds, all mostly hybrids).      

The spine of the cover is divided by three double cords into four sections head and tail rope bands. Four dragons are depicted within each section.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
261240
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 261242 Vienna Liturgical Pentateuch, Binding-back cover, Germany, 14th century edit
Category: Hebrew Illuminated Manuscripts
ID: 261242 Vienna Liturgical Pentateuch, Binding-back cover, Germany, 14th century edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Liturgical Pentateuch | Unknown
3a Object Pentateuch
3b Object Detail Binding-back cover
4a Artist/ Maker Unknown (Unknown)
5 Date 14th century
6 Period Unknown
7 Origin Germany
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. hebr. 19 (Schwartz, No. 12)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Unknown|
13 Iconographical Subject Hybrid
Monkey
Bird
Dragon |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M001104
20 Description

The late Gothic leather binding is shaped like a box. It is probably the original binding of the manuscript.

Brown leather partly sewed at the edging, upon upper and lower wooden boards. Holes of center and corners studs in upper and lower covers are noticeable, as well as holes for two clasps in lower cover. Today a center hook on the edge of lower cover hooks onto a ring in the edge of upper cover.  

Small stamp of a star was used for the frame. Traces of five large studs and two long clasps are found; from them the middle one is modern.

On the front cover, a rectangular panel bears eight inhabited medallions arranged in pairs and a pair of empty half medallions in the lower row. Within the medallions, there are depictions of animals (birds, monkeys, dragons). The panel is surrounded by a frame filled with a scroll of trefoil leaves.  

The back is divided into four rhomboids and triangles by diagonal strips. Within each rhomboid and triangle, there are depictions of animals in various postures (dragons, monkeys and birds, all mostly hybrids).      

The spine of the cover is divided by three double cords into four sections head and tail rope bands. Four dragons are depicted within each section.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
261242
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a



     

 

 

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