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  (XI) Obj. ID: 19960 The Tegernsee Haggadah,, Germany
Austria,
Before 1489. // Joseph son of R. Ephraim edit
 
Category: Hebrew Illuminated Manuscripts


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
6a Period Detail
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
9a Documentation Unknown |
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19 Remarks
20 Description

More Details...
 
21 Ornamentation
22 Custom
23 Contents
Latin introduction to the Haggadah (reading from back to front fols. 7 to1v).
Passover Haggadah of German-Ashkenazi rite (fols. 7v-35v), vocalised, opening with the kiddush (fol. 7v). The haggadah includes the first verse only for שפוך (Pour out thy wrath; fol. 24v); piyyutim: אז רוב נסים (fol. 31v), אומץ גבורתיך (fol. 33), אדיר במלוכה (כי לו נאה) (fol. 34); ends with אדיר הוא (fol. 35v).
In the piyyut נשמת כל חי (fol. 29) the name of its author Isaac (יצחק) in an acrostic is marked by dots (fol. 31).
24 Codicology
24a Scribes The Jewish scribe Joseph son of R. Ephraim copied the Hebrew text (fols. 7v-35v). Vocaliser unknown. Schwerzenbeck, the librarian of the Benedictine Monastery of Tegernsee, wrote the Latin introduction (fols. 7-1v). The Latin annotations in the margins of the haggadah were written by Erhard of Pappenheim (fols. 7v, 8, 9, 10, 12, 12v, 13, 14, 15, 21, 22-23v, 24v-28, 29, 31). An annotation in Hebrew by Erhard is written on the blue background of the illustration on fol. 15. Script The Haggadah: The main text is written in square Ashkenazi script of different sizes in dark brown and red ink. The instructions for the Seder are written in semi-cursive Ashkenazi script in red or black ink (e.g. fols. 24-24v, 35).
24b Script
24c Number of Lines The Latin introduction is written in 46 lines per page in two columns. The Haggadah is written mostly in 13 lines per page, except for e.g. fol. 31v (15 lines), fols. 32, 33v, 34v (12 lines). The Latin introduction is written in two text columns per page. The Haggadah in Hebrew is copied in one text column per page.
24d Ruling The Latin introduction: Ruling in plummet on both sides of the leaves, each ruled separately; 46 horizontal and 2 + 2 + 2 vertical lines. Upper and lower lines ruled across the entire page. The Haggadah: Ruling in plummet on both sides, usually 14 horizontal and 2 + 2 vertical lines; for piyyutim: 2 + 1 + 1 + 1 + 2 (fols. 19v-20) and 2 + 1 + 1 + 2 (fols. 32-33) vertical lines.
24e Pricking The Latin introduction: Pricking discernible in all but the inner margins, except for fols. 7-9; 26 pricks for the Latin text on fol. 7. The Haggadah: Pricking per quire noticeable in all margins as well as for additional horizontal lines; stubs are also pricked.
24f Quires Five quires, three of eight and two of six leaves, arranged according to Gregory's rule. List of quires: I6 (1-6v); II8 (7-14v: fols. 8 and 12 are single leaves, no text missing); III8 (15-22v: fols. 16 and 20 are single leaves, no text missing); IV8 (23-30v: fols. 25 and 28 are single leaves, no text missing); V6 (31-36v). The 15th-scentury Tegernsee binder has written on the first page of the Haggadah primum folium huius libri (fol. 7v), proceeding to mark the next as secundum. His next numberings are of quires: 2q (fol. 15), 3q (fol. 23), 4q (fol. 31).
24g Catchwords No catchwords visible.
24h Hebrew Numeration None
24i Blank Leaves Fols. 7 (originally blank)-7v, 36-36v.

25 Material/Technique
Parchment I + 36 + I leaves.
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
Full page: (288-291) x (231-238) mm.
Text space of the Latin text: (211-213) x (151-162) mm. written in two columns (fols. 6v-1; width of one: 71 mm.).
Text space of the Hebrew text: (180-204) x (142-162) mm.
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
Fol. 36v, last blank folio of the codex, lower edge, in semi-cursive Ashkenazi script in light brown ink: אני הסופר יוסף ב"ר אפרים ז"ל, I am the scribe Joseph the son of R. Ephraim of blessed memory.
The same name appears within the panel illustrating the Wise Son (fol. 12): יוסף ב"ר אפרים ז"ל, Joseph the son of R. Ephraim of blessed memory.
31 Scribal Notes
By the vocaliser: Hebrew corrigenda in square script in light brown ink (fols. 11, 14, 30, 31v).
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding

Early 19th century red morocco binding on cardboard, decorated with a gold-tooled floral frame on the front and back. The spine has head and tail bands and four cords, and the sections in between are decorated with gold-tooled frames and central sun-ray motifs.

36 Decoration Program

The decoration of the manuscript consists of painted panels executed in tempera (various shades of blue, vermilion, red, magenta, green, yellow, brown, grey and gold leaf and powder on a yellowish-brown ground). It includes four initial word panels for some of the main sections, and twenty text illustrations, usually in a panel placed next to the initial word or below the text they illustrate.

The initial words and some of the illustrated panels were planned when the text was written, since they are wholly or partly included within the text column (fols. 10, 12-13, 15v, 19, 21-22, 24v).

A pair of acanthus scrolls extends from the borders of most of the panels into the margins.

  1. Four painted initial word panels in large letters for some of the main sections (fols. 10, 19, 22, 24v). One panel includes a text illustration (הא - This is the bread of affliction, fol. 10).
  2. 20 painted text illustrations: Kiddush (fol. 7v); Havdalah (fol. 8v); Bread of Affliction (fol. 10); Bondage of the Israelites in Egypt (fol. 11); Four Sons: Wise Son (fol. 12), Wicked Son (fol. 12v), Simple Son (fol. 12v), the Son who does not know how to ask (fol. 13); Naked and Bare (fol. 15); Pithom and Raamses (fol. 15v); Infants cast into the River (fol. 16); Outstretched arm (fol. 17); Plague of Lice (fol. 17v); The Five Rabbis of Bnei Brak: Rabbi Yossei Haglili (fol. 18), Rabbi Eliezer (fol. 18), Rabbi Akiva (fol. 18v), Rabban Gamliel (fol. 20v); Mazzah (fol. 21); Maror (bitter herbs; fol. 21v); The Messiah entering Jerusalem (fol. 24v).
36 Summary and Remarks

A Passover Haggadah of Ashkenazi rite was copied by Joseph son of R. Ephraim, who wrote his name twice: once at the bottom edge of the last verso of the manuscript (fol. 36v); and the second time within the panel depicting Rabbi Akiva as the Wise Son (fol. 12).

The decoration programme consists of four large painted initial word panels for some of the main sections, and twenty small painted panels, of which only four are placed within the text space (fols. 12, 12v, 13, 15v) and the rest are in the margins, depicting traditional ritual and textual illustrations, as well as one eschatological depiction of the Messiah entering Jerusalem, illustrating the text "Pour out thy wrath" (fol. 24v). From all but three panels issue a pair of long-stemmed fleshy acanthus leaves, sometimes curling and often enhanced by gold buds, thorns and floral motifs.

The figures within the panels are placed either in a meadow (fols. 8v, 12v (upper panel), 15, 18 (upper panel), 24v) or in rooms with tiled floors, wooden ceilings and arched entrances (fols. 7v, 10, 12, 12v (lower panel), 13, 17, 17v, 18 (lower panel) 18v, 20v, 21, 21v). They are squat and richly dressed in robes and mantles, the drapery folds rendered with darker tones of the same colour, and highlights of either white or yellow. They wear varying kinds of opulent head-gear: high caps (e.g. fols. 8v, 11, 12), a head gear recalling a bowler hat (e.g. fols. 12v, 16), hats divided horizontally into two or three sections (e.g. fols. 18, 21v) with an extension (e.g. fols. 11, 20v), and Jewish hats (fols. 7v, 24v). The women wear white wide kerchiefs tied under the chin (e.g. fols. 10, 21v). Hands, hair and facial features are outlined in black ink; the irises are mostly looking sideways.

Style

The style of the manuscript poses a serious problem. On the one hand no exact parallel has yet been found for the style of the figures in the panels. On the other hand, the style of the acanthus scrolls which issue from them was very popular in the last quarter of the 15th century and appears in many manuscripts which were produced in the Danube region of South Germany andAustria. A united figure and foliage style similar to that of our haggadah, if found, could indicate a specific workshop or place where the paintings were executed.

We are deeply grateful to the scholars of the Österreichische Akademie der Wissenschaften, Kommission für Schrift- und Buchwesen des Mittelalters, Otto Pächt-Archiv at the Institut für Kunstgeschichte of the University of Vienna (Drs. M. Roland, Ch. Beier, A. Tif), the head of the Manuscript Department of the Österreichische Nationalbibliothek in Vienna (Dr. A. Fingernagel), as well as to colleagues in the Manuscript Department of the Bayerische Staasbibliothek, Munich (Drs. B. Hernad and K.-G. Pfändtner), for their helpful comments and examples. Being familiar with this regional style through wide research and publications, they suggest that at this stage of research we should agree on a general definition of the region for the style of our haggadah, namely the Danube region of South Germany and Austria.

Despite that, a close stylistic comparison for the acanthus scrolls pointed out to us by Dr. Roland is found in a Breviary produced for Brixen Diocese between 1460 and 1480 and housed there in the Nicholas Cusanus Seminarbibliothek (figs. 2, 4).

Taking into consideration the fact that the motifs are common to many manuscripts and that the scrolls in the Breviary are fleshier, leading to a denser composition, the resemblance lies mainly in the way the leaves were executed: they are composite, often with small trifid and curling leaves, the edges rounded, with hidden gold buds and spidery ink extensions. Our Haggadah (figs. 1, 3, 5-6) could have been decorated in the same workshop as the Brixen Breviary, which alas is not adorned with figures.

                                          

Fig. 1: Munich, BSB Cod. hebr. 200, fol. 10            Fig 2: Brixen Breviary

                                                                            Brixen, Nicholas Cusanus  Seminarbibliothek, Cod. A12, fol. 24v

                                                                            (Courtesy of Cusanus Semiarbibliothek)

 

                                            

Fig. 3: Munich, BSB Cod. hebr. 200, fol. 12v        Fig. 4: Brixen Breviary

                                                                            Brixen, Nicholas Cusanus Seminarbibliothek, Cod. A 12, fol. 55v

                                                                            (Courtesy of Cusanus Semiarbibliothek)                     

                                           

Fig. 5: Munich, BSB Cod. hebr. 200, fol. 18       Fig.6:Munich, BSB Cod. hebr. 200, fol. 24v

 

The decoration programme as well as the iconography of the illustrations reflect those which appear in other Ashkenazi illuminated haggadot of the 15th century, for example the figures of the Four Sons (fols. 12-13) and the Five Rabbis of Bnei Brak (fols. 18-18v, 20v), or the Bondage of the Israelites inEgyptand the building of the cities of Pithom and Raamses (fols. 11, 15v). However, some images reflect Christian iconography (Shalev-Eyni, forthcoming facsimile). A striking example is the blessing of the wine (kiddush; fol. 7v): a man holding a cup of wine, his right hand raised in a gesture of blessing with index and middle finger, typical of Christian rather than Jewish custom. A similar gesture is found in the panel illustrating the bread of affliction (הא לחמא עניא; fol. 10): the man points at the mazzah with his right hand in the Christian blessing. A third example is the depiction of the man brandishing a sword in his right hand, and his left in the Christian blessing, illustrating the mighty hand over Jerusalem (fol. 17): the text in the haggadah cites part of and interprets biblical verses (I Chron. 21:15-16) which describe an angel with a sword, who was sent by the Lord to destroy Jerusalem.

The Latin Text

The haggadah is preceded by a Latin text, which was copied in 1493 by Ambrosius Schwerzenbeck in the first quire (fols. 1-6, but to be read 6-1) with an introduction on the recto of the first folio of the haggadah (fol. 7). The Latin text describes the ritual of the Seder and the miniatures which illustrate it. It discusses the way the mazzah is prepared and mentions the confession extracted from the Jews of Trent in the blood libel case of 1475, at which he was present. He also underlines the difference between Christianity and Judaism, unfavourably to the latter (Aigner 2010, pp. 20-28, 78-90).

The thirty-five Latin marginal annotations next to the Hebrew text of the haggadah were written by Erhard in 1492, explaining the text and the customs (see Appendix).         

This haggadah raises two intriguing questions: one, which at present cannot be answered, concerns the anonymous patron who apparently did not make much use of it; the second concerns its history. The haggadah was acquired by Paulus Wann of Kemnath who studied in Vienna(Magister in 1447), and in 1477 became a canon of Passau Cathedral of (Verfasserlexikon 1999, 10). His friend was Ambrosius Schwerzenbeck the librarian (1481-1500) of the Benedictine monastery in Tegernsee. Paulus Wann donated many books to Tegernsee, amongst them our haggadah, which he bequeathed in 1489, without any annotations (cf. his hand in Clm 18389, fols. 2-9, from 1485). Interested in its contents and with no knowledge of Hebrew, Schwerzenbeck turned to Erhard (Verfasserlexikon 1980, 2) who studied Hebrew with Petrus Nigri, the Hebraist. Apparently Erhard was at the Dominican monastery in Regensburgfrom 1475-1484, under the priorship of Johannes Nigri, the brother of Petrus. The haggadah was sent to him requesting him to describe and explain its contents. He wrote his text in one quire (Q12-1; measuring 210 x157 mm.) in small cursive script in dark ink, which was bound at Tegernsee together with a miscellany of religious tractates (Clm 18526b, fols. 190v-200). To facilitate his work he added annotations in the haggadah.

As can be gathered from Schwerzenbeck's note added in this quire (Clm 18526b, fol. 190; cf. his script in Clm 18880, fol. 5v): Anno Domini 1492 scriptum istud factum est ab Erhardo religioso de ordine predicatorum, he received Erhard's text in1492. He copied it diligently in 1493 (Cod. hebr. 200, fol. 1v) in a neat, legible textualis in a quire the size of the haggadah (I6; measuring 288 x 238 mm.). However, Schwerzenbeck was unable to copy the many Hebrew inscriptions which punctuate Erhard's text and left lacunae. This suggests that Erhard did not see the copied version, and no Hebraists were present at Tegernsee to assist Schwerzenbeck (Redlich 1931, pp. 66-71, 76-84; Bischoff (ed.) 1979, IV 2, pp. 734-863).   

Scholars have tried to identify the Hebraist Erhard (Bischoff 1967, II pp. 187-191; Dall'Asta and Dörner (ed.) 2003, pp. 7-10). His name is known from Schwerzenbeck's note (Clm 18526b, fol. 190) as well as from the table of contents of the miscellany in which Erhard's quire is bound (verso of front flyleaf): Tactatis declarans esum agni paschalis Iudeorum Erhardi de ordine predicatorum.

The haggadah is not mentioned in Schwerze

38 Suggested Reconstruction
39 History/Provenance
Latin explanations of the Passover ritual and of the contents of the haggadah copied in 1493 (fol.1v) by Ambrosius Schwerzenbeck, librarian at Tegernsee (reading from back to front, fols. 7 to 1v).
Latin annotations to the text:
• By Erhard of Pappenheim in black and red ink, in textualis (fols. 7v-8, 9, 10) and cursive script (fols. 12-13, 14, 15, 21, 22-23v, 24v-28, 29, 31).
• By the 15th-century binder in brown ink (fols. 7v, 8, 15, 23, 31; see Quires).
• In brown ink, unknown date: flags added above Pithom and Raamses, the latter with crosses (fol. 15v).
On the front cover pastedown by a librarian of BSB: Cod. hebr. 200 in 40 (present signature) and the contents in Latin and German.
On the back cover pastedown: Cod. hebr. 200.
On the front cover flyleaf: Ms. h. 200.
Stamps of the Court and State Library:
Fols. 1, 35v: oval ink-stamp with the previous name of the Library BIBLIOTHECA/ REGIA/ MONACENSIS.
Library stickers: On back pastedown and spine: Cod. Hebr. 200.
40 Main Surveys & Excavations
41 Condition
Except for the first and last leaves (fols. 7, 36v), the haggadah does not show much use.
42 Biography
43 Bibliography
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Aigner Die Münchner Pessach-Haggadah: Bayerische Staatsbibliothek, Cod. hebr. 200 (M.A. thesis for Ludwig-Maximilians-Universität München, Fakultät für Geschichts- und Kunstwissenschaft, Department Kunstwissenschaften Kunstgeschichte), Munich 2010. Friedman 1985 M. Friedman, "The Four Sons of the Haggadah and the Ages of Man", Journal of Jewish Art 11 (1985), pp. 16-40. Goitan 2010 T. Goitan, The Erna Michael Haggadah (M.A. Thesis, Hebrew University of Jerusalem) 2010 (Hebrew, unpublished). Goldstein, facsimile 1985 D. Goldstein, The Ashkenazi Haggadah: A Hebrew Manuscript of the Mid- 15th Century from the Collections of the British Library, Ms. Add. 14762, A Facsimile Edition, London 1985. Gutmann 1967/68 J. Gutmann, "When the Kingdom Comes, Messianic Themes in Medieval Jewish Art", Art Journal, 27/2 (1967/68), pp. 168-175. Gutmann 1970 J. Gutmann, "Joel ben Simeon", Studies in Bibliography and Booklore, vol. 9 (1970), pp. 76-95. Gutmann 1974 J. Gutman, “The Messiah at the Seder: A Fifteenth-Century Motif in Jewish Art”, Raphael Mahler Jubilee Volume, Tel Aviv 1974, pp. 29–38. Gutmann 1979 J. Gutmann, Hebrew Manuscript Painting, London 1979. Kaufmann Haggadah, facsimile 1990 Kaufmann Haggadah (Budapest, Oriental Library of the Hungarian Academy of Sciences), facsimile, Budapest 1990. Knauer 1996 G. N. Knauer, "Iter per miscellanea: Homer's Batrachomyomachia and Johannes Reuchlin", S. G. Nichols and S. Wenzel (ed.), The Whole Book: Cultural Perspectives on the Medieval Miscellany, Michigan 1996, pp. 23-36. Knauer 2004-2012 G. N. Knauer, The humanistic Collectanea of a Benedictine monk, Johannes ex Grafing, a student of Johannes Reuchlin and Conrad Celtis: Observations concerning Munich, BSB, MSS Cgrm 582a, Chm 400, 401, Cgrm 323 (Unfinished draft kept in the BSB), Munich 2004, 2009, 2012. 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Narkiss, The Golden Haggadah, Introduction and Facsimile (Eugrammia Press and British Museum), London 1970. Narkiss 1982 B. Narkiss, Hebrew Illuminated Manuscripts in the British Isles: A Catalogue Raisonné, vol. I: Spanish and Portuguese Manuscripts, in collaboration with A. Cohen-Mushlin and A. Tcherikover, Jerusalem and London 1982. Narkiss 1991 B. Narkiss, "The Art of the Washington Haggadah", The Washington Haggadah: A Facsimile Edition of an Illuminated Fifteenth Century Hebrew Manuscript at the Library of Congress Signed by Joel ben Simeon, ed. M. M. Weinstein, Washington DC 1991, pp. 29-101 (at 29-54). Narkiss 1997 B. Narkiss, The Golden Haggadah, London 1997. Narkiss and Sed-Rajna, IJA 1976/2 B. Narkiss and G. Sed-Rajna, "Erna Michael Haggadah", The Jerusalem Index of Jewish Art, vol. I, Jerusalem, 1976/2. Narkiss and Sed-Rajna, IJA 1976/3 B. Narkiss and G. Sed-Rajna, "Chantilly Haggadah", The Jerusalem Index of Jewish Art, vol. I, Jerusalem, 1976/3. 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Shalev-Eyni, "The Making of the Codex: Scribal Work, Illumination and Patronage", The Monk's Haggadah: A Fifteenth Century Illustrated Passover Haggadah from the Monastery of Saint Quirinus at Tegernsee with a Prologue by the Friar Erhard of Pappenheim, (ed.) D. Stern, Ch. Markschies and S. Shalev-Eyni (Penn State University Press, forthcoming facsimile). Sicherl 1978 M. Sicherl, Johannes Cuno. Ein Wegbereiter des Griechischen in Deutschland (Studien zum Fortwirken der Antike 9, W. Marg and H. Rüdiger ed.), Heidelberg 1978. Sicherl 1994 M. Sicherl, "Neue Reuchliniana", H. Eideneier (ed.) Graeca recentiora in Germania (Wofenbütteler Forschungen 59), Wiesbaden 1994, pp. 65-92. Spitzer, facsimile 1967 M. Spitzer (ed.), The Bird's Head Haggadah of the Bezalel National Art Museum in Jerusalem, introduction and facsimile, Jerusalem 1967. Steinschneider 1895 M. Steinschneider, Die Hebräischen Handschriften der K. Hof- und Staatsbibliothek in München, Munich 1895, No. 200. Steimann 2007 I. Steimann, Two Illuminated Haggadot from Candia of the 16th Century, (M.A. Thesis, Hebrew University of Jerusalem) 2007 (unpublished). Verfasserlexikon 1980 (2), 1999 (10) Die deutsche Literatur des Mittelalters:Verfasserlexikon, Berlin- New York 1980, 1999. Walde 1916 B. Walde, Christliche Hebräisten Deutschlands am Ausgang des Mittelalters (Alttestamentiche Abhandlungen VI 2, 3), Münster i. W. 1916. Weinstein, facsimile 1991 M. M. Weinstein (ed.), The Washington Haggadah: A Facsimile Edition of an Illuminated Manuscript at the Library of Congress Signed by Joel ben Simeon, M. Myron Weinstein (ed.), Washington 1991. Zirlin 1986/87 Y. Zirlin, "The Schocken Italian Haggadah of c. 1400 and its Origins," Jewish Art 12-13 (1986/87), 55-72. Zirlin 1995 Y. Zirlin, "Joel Meets Johannes: a Fifteenth-century Jewish-Christian Collaboration in Manuscript iIlumination", Viator, 26 (1995), pp. 265-82. Zirlin 2005 Y. Zirlin, "discovering the Floerseim Haggadah", Ars Judaica 1, Ramat-Gan 2005, pp. 91- 108. Further reading M. Beit Arié, Hebrew Codicology, Institut de recherche et d'histoire des textes, Etudes de paléographie hébraïque (Paris, 1976), 87-88, 102 and pl. 26. M. Beit-Arié, "Joel Ben Simeon's Manuscripts: A Codicologer's View", Journal of Jewish Art, 3-4 (1977), pp. 25-39. M. Beit-Arié, "Codicological Description and Analysis of the Washington Haggadah", The Washington Haggadah: A Facsimile Edition of an Illuminated Manuscript at the Library of Congress Signed by Joel ben Simeon, ed. M. M. Weinstein, Washington, 1991, pp. 105-135. M. Beit- Arié, "Joel ben Simeon's Manuscripts: A Codicological View", The Makings of the Medieval Hebrew Book: Studies in Paleography and Codicology, ed. M. Beit-Arié, Jerusalem, 1993, pp. 93-108. E. M. Cohen, "Joel ben Simeon Revisited: Reflections of the Scribe’s Artistic Repertoire in a Cinquecento Haggadah", A Crown for a King. Studies in Jewish Art, History and Archaeology in Memory of Stephen S. Kayser, eds. Sh. Sabar, S. Fine, W. M. Kramer, Jerusalem 2000, pp. 59-71. I. Fishof, "The Origin of the Sîddûr of the Rabbi of Ruzhin", Jewish Art, 12-13 (1986-1987), pp. 73-82. M. Fooner, "Joel ben Simeon Illuminator of Hebrew MSS. in the XVth Century", The Jewish Quarterly Review 27 (1937), pp. 217-232. M. Glatzer, "The Ashkenazic and Italian Haggadah and the Haggadot of Joel ben Simeon", The Washington Haggadah: A Facsimile Edition of an Illuminated Manuscript at the Library of Congress Signed by Joel ben Simeon, ed. M. M. Weinstein, Washington, 1991, pp. 139-145. J. Goldin, "Some Minor Supplementary Notes on the Murphy Haggadah", The Yale University Library Gazette, 43 (1968), pp. 39-43. J. Gutmann, “The Haggadic Motif in Jewish Iconography”, Eretz Israel 6 (1960), pp. 16-22. J. Gutmann, "The Illuminated Medieval Passover Haggadah: Investigations and Research Problems", Studies in Bibliography and Booklore 7 (1965), pp. 3-25. J. Gutmann, "Thirteen Manuscripts in Search of an Author: Joel Ben Simeon, 15th Century Scribe-Artist", Studies in Bibliography and Booklore, 9 (1970), pp. 76-95. A. Haidinger, Verborgene Schönheit, die Buchkunst im Stift Klosterneuburg (Katalog zur Sonderaustellung 1998) Klosterneuburg-Vienna, 1998. A. Haidinger, "Die Handschriftengruppe um den Josefsmeister in Wien, Österreichische Nationalbibliothek, Cod. 2774", Codices Manuscripti (Heft 48/49, June ) 2004, pp.35-42, figs. 2, 3. F. Heimann, "Die Illustrationen in der 2. Darmstädter Pesach Haggada", Kairos 25 (1983), pp. 18-35. F. Heimann-Jelinek, "Die Illustrationen der Floersheim-Haggada im Vergleich mit den Illustrationen der zweiten Darmstädter Pesach Haggada", Kairos 29, 3-4 (1987), pp. 176-216. E. Irblich (ed.), Thesaurus Austriacus, Europas Glanz im Spiegel der Buchkunst Handschriften und Kunstalben von 800-1600, Vienna 1996. F. Landsberger, “The Washington Haggadah and its Illuminator”, Hebrew Union College Annual 21 (1948), pp. 73-103. M. Metzger, “A propos de l’illustration de maror zé (voici l’herbe amère) dans quelques haggadot du XVe siècle”, Bulletin de nos communautés 18:8 (April 1962). K.-G. Pfändtner, "Die Handschriften
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
19960
48 Temp: Addenda
OVRPO=ntl%3Atrue%2Cntl_localname%3Atrue%2Csubject%3A%2Csubject_detail%3A%2Cobject%3Atrue%2Cobject_detail%3A%2Cmaker_profession%3Atrue%2Cmaker_name%3Atrue%2Cmaker_detail%3Atrue%2Cdate%3Atrue%2Cperiod%3Atrue%2Cperiod_detail%3Atrue%2Cphotographer%3A%2Cphoto_date%3A%2Cphotographer_copyright%3A%2Corigin%3Atrue%2Corigin_detail%3Atrue%2Chistorical_origin%3Atrue%2Cschool%3Atrue%2Cschool_detail%3Atrue%2Ccommunity%3Atrue%2Ccommunity_detail%3Atrue%2Ccollection%3Atrue%2Ccollection_detail%3Atrue%2Ccopyright%3Atrue%2Csite%3Atrue%2Csite_detail%3Atrue%2Clocation%3Atrue%2Clocation_detail%3Atrue%2Cdescription%3A%2C&

Registrar
Function: Name: Date:
49 Documenter Prof. Aliza Cohen-Mushlin; Ilona Steimann 2008; 2008 49a
50 Researcher Prof. Aliza Cohen-Mushlin; Ilona Steimann; Yaffa Levy 2009-2013; 2009; 2013 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head Michal Sternthal. Project Head: Prof. Aliza Cohen-Mushlin 04.2106; 2008-2015 53a
54 Editor Christine Evans 2013 54a
55 Donor Supported by the Fritz Thyssen Foundation 55a

Less Details


Object's images (82 image(s))

      [1] [2] [3] [4] [5]

(XXII) ID: 219112 The Tegernsee Haggadah, Fol. 22, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219112 The Tegernsee Haggadah, Fol. 22, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 22
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Initial word panel (Not used; see: Initial word panel, Illustrative, Initial word panel, decorative)
Foliate scrolls |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601106
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219112
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219113 The Tegernsee Haggadah, Fol. 23v, 24, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219113 The Tegernsee Haggadah, Fol. 23v, 24, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 23v, 24
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601107
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219113
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219114 The Tegernsee Haggadah, Fol. 24v, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219114 The Tegernsee Haggadah, Fol. 24v, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 24v
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Foliate scrolls
Initial word panel (Not used; see: Initial word panel, Illustrative, Initial word panel, decorative)
Messiah, Coming of |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601108
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219114
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219115 The Tegernsee Haggadah, Fol. 24v, 25, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219115 The Tegernsee Haggadah, Fol. 24v, 25, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 24v, 25
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Foliate scrolls
Initial word panel (Not used; see: Initial word panel, Illustrative, Initial word panel, decorative)
Messiah, Coming of |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601109
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219115
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219116 The Tegernsee Haggadah, Fol. 25v, 26, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219116 The Tegernsee Haggadah, Fol. 25v, 26, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 25v, 26
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601110
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219116
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219117 The Tegernsee Haggadah, Fol. 26v, 27, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219117 The Tegernsee Haggadah, Fol. 26v, 27, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 26v, 27
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601111
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219117
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219118 The Tegernsee Haggadah, Fol. 27v, 28, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219118 The Tegernsee Haggadah, Fol. 27v, 28, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 27v, 28
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601112
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219118
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219119 The Tegernsee Haggadah, Fol. 28v, 29, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219119 The Tegernsee Haggadah, Fol. 28v, 29, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 28v, 29
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601113
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219119
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219120 The Tegernsee Haggadah, Fol. 29v, 30, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219120 The Tegernsee Haggadah, Fol. 29v, 30, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 29v, 30
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601114
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219120
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219121 The Tegernsee Haggadah, Fol. 29v, 30, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219121 The Tegernsee Haggadah, Fol. 29v, 30, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 29v, 30
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601115
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219121
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219122 The Tegernsee Haggadah, Fol. 31v, 32, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219122 The Tegernsee Haggadah, Fol. 31v, 32, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 31v, 32
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601116
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219122
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219123 The Tegernsee Haggadah, Fol. 32v, 33, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219123 The Tegernsee Haggadah, Fol. 32v, 33, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 32v, 33
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601117
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219123
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219124 The Tegernsee Haggadah, Fol. 33v, 34, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219124 The Tegernsee Haggadah, Fol. 33v, 34, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 33v, 34
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601118
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219124
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219125 The Tegernsee Haggadah, Fol. 34v, 35, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219125 The Tegernsee Haggadah, Fol. 34v, 35, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 34v, 35
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601119
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219125
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219126 The Tegernsee Haggadah, Fol. 35v, 36, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219126 The Tegernsee Haggadah, Fol. 35v, 36, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 35v, 36
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601120
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219126
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 219127 The Tegernsee Haggadah, Fol. 36v, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 219127 The Tegernsee Haggadah, Fol. 36v, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 36v
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M601121
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks

This image belongs to the ''Ursula and Kurt Schubert Archive'' in the Center for Jewish Art.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
219127
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 199981 The Tegernsee Haggadah, Fol. 7v, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 199981 The Tegernsee Haggadah, Fol. 7v, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 7v
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject First seder cup of wine, holding
Foliate scrolls |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000423.jpg
20 Description

Fol. 7v: In the upper outer margin, next to the quotation from Genesis (Gen. 1:31, 2:1-3) and the blessing (kiddush) over the Sabbath wine: within a rectangular panel a bearded man is seated on a bench holding a silver cup by its foot. His right hand is raised over the cup in the index and middle finger Christian blessing (Shalev-Eyni, forthcoming facsimile). The man wears a gold Jewish hat and a green robe, and is depicted against a magenta background decorated with feathery yellow foliage, while the floor is in alternating red and vermilion tiles, some turned brown.

The double-framed panel coloured light and dark blue with white highlights has acanthus branches extending from its upper and lower borders.

Latin annotations by Erhard are written in red textualis:

1. Next toואם חל פסח בשבת אומר ויכלו: ויכלו השמים וכל צבאם :

    Benedictio cene paschalis si in initio sabbati occurrat

    Benediction if the Passover Seder occurs at the start of the Sabbath.

2. Next to: ברוך אתה ה' אלהינו מלך העולם בורא פרי הגפן

    Benedictio calicis et vini

    Benediction of cup and wine.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Black and brown ink, gold leaf and powder and different shades of blue, magenta, green, vermilion, red, yellow, brown and white.
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements 60 x 39 mm.; 5 lines high
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
   

 

Fig. 1: Blessing (kiddush) over the wine

Tegernsee Haggadah

Munich, BSB Cod. hebr. 200, fol. 7v

Fig 2: Kiddush              

Bird's Head Haggadah   

Franconia, c.1300

Jerusalem, IM MS 180/57, fol. 28v

(Spitzer, facsimile 1967)

 

   

Fig. 3: Blessing (kiddush) over the wine

Yahuda Haggadah

Franconia, 1465-1470

Jerusalem, IM MS 180/50, fol. 4

(Narkiss and Sed-Rajna, IJA 1978/3)

Fig. 4: Blessing (kiddush) over the wine

Parma Haggadah

Joel ben Simeon (artist)

Germany, c.1455

Parma, Biblioteca Palatina, Parm. 2998, fol. 1

(Jerusalem, CJA Documentation)

 

The illustration for the kiddush if Passover Eve falls on the Sabbath appears in Ashkenazi and Italo-Ashkenazi haggadot from the 14th and 15th centuries. Usually it depicts a seated man holding a cup of the Sabbath wine by the foot, for example in the early Bird's Head Haggadah (fig. 2) and the Yahuda (fig. 3) and Parma Haggadot (fig. 4). This apparently derives from 14th-century halakhic rules which state that the cup should be held by the foot (Kurrein 1923, p. 263; Kogman-Appel, 1999, p. 109).

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
199981
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 199982 The Tegernsee Haggadah, Fol. 8v, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 199982 The Tegernsee Haggadah, Fol. 8v, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 8v
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Havdalah in the seder eve
Acanthus scroll |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000424.jpg
20 Description

Fol. 8v: In the lower outer margin of the page, a rectangular magenta frame encloses a bearded man standing outdoors. He is raising hands with curled fingers illustrating the benediction of the separation between the sacred (Saturday) and profane (weekdays) recited during the ceremony of the Havdalah when the seder falls on a Saturday night. His curled fingers illustrate the custom of looking at the reflection of light on the fingernails while reciting "blessed … who creates the light of fire" (ברוך... בורא מאורי האש).  

The man has a tall green cap and wears a red robe with yellow seams and a gold belt. Acanthus branches issue from the upper and lower borders of the panel.

See: General Document for acanthus branches and Appendix

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Black and brown ink, gold leaf and different shades of green, blue, magenta, red, vermilion, yellow and
white.
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements 68 x 41 mm.; 5 lines high
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
   

 

 

 

Fig. 1: Havdalah

Tegernsee Haggadah

Munich, BSB Cod. hebr.  200, fol. 8v

Fig. 2: Havdalah

Yahuda Haggadah

Franconia, 1465-1470

Jerusalem, IM MS 180/50, fol. 5

(Narkiss and Sed-Rajna  IJA 1978/3(

Fig. 3: Havdalah

Siddur of the Rabbi of Ruzhin

Southeast Germany, c.1460

Jerusalem, IM MS 180/53, fol. 154v

(Jerusalem, CJA Documentation)

Fig. 4: Havdalah

BarcelonaHaggadah

Barcelona, mid-14th century

London, BL Add. 14761, fol. 26

(Schonfield, facsimile 1992)

 

 

The custom looking at the reflection of the firelight on the finger nails (fig. 1) is mentioned in many Ashkenazi halakhic sources (Finesinger 1937/38, pp. 347-365). The depiction of this custom in Ashkenazi haggadot follows a common iconography, emphasising the gaze at the finger nails (figs. 2, 3). In Sephardi haggadot, such as the Barcelona Haggadah, the havdalah is illustrated by a man stretching his right hand out towards a candle held by a child (fig. 4).

However, unlike the Yahudah andBarcelonahagaddot, which display other iconographical elements of the ritual: the cup of wine and the source of light over which the blessing is made, either a lighted candelabrum (fig. 2) or a havdalah candle (fig. 4) our haggadah as well as the Ruzhin Siddur (figs. 1, 3) exclude the source of light altogether. Furthermore, the man in our haggadah is gazing probably at the unseen moon rather than at his fingers.

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
199982
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 199983 The Tegernsee Haggadah, Fol. 10, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 199983 The Tegernsee Haggadah, Fol. 10, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 10
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Holding matzah (Maggid )
Initial word panel (Not used; see: Initial word panel, Illustrative, Initial word panel, decorative)
Foliate scrolls |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000425.jpg
20 Description

Fol. 10: At the centre of the page, a panel the width of the text column is divided into three compartments. In the middle, the initial word "This is" ((הא is written in large gold letters on a green background with feathery foliate scrolls in ink. A man and a woman are depicted in the right and left compartments. Each is seated on a yellow bench, the man holding three round pricked mazzot, the woman just one. Both figures are pointing at the mazzah with the right hand, though the man performs the Christian blessing (Shalev-Eyni, forthcoming facsimile). The woman is richly dressed in a green robe with a gold belt, and a blue-grey mantle. Her hair is covered with a white wimple, which frames her face. The man wears a red robe and a green mantle covers his head and back.

A Latin annotation by Erhard is written in red textualis in the lower margin:

Pertaining to: ויניח המצות בקערה ויגביה הקערה ואמר הא לחמא

Elevatio et ostensio azime

Elevating and showing the mazzah

See: General Document for acanthus branches and Appendix.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Black and brown ink, gold leaf and powder and different shades of green, blue, magenta, vermilion, yellow, brown, grey and white.
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements 168 x 68 mm.; 5 lines high
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
   

Fig. 1: Bread of Affliction

Tegernsee Haggadah

Munich, BSB Cod. hebr. 200, fol. 10

Fig. 2: Bread of Affliction

Yahuda Haggadah

Franconia, 1465-1470

Jerusalem, IM MS 180/50, fol. 6

(Narkiss and Sed-Rajna, IJA 1978/3)

 

 

 

Fig. 3: Bread of Affliction

Rothschild Miscellany

Ferrara (?) 1470s

Jerusalem, IM MS 180/51, fol. 156v

(Rothschild Miscellany, facsimile 1989)

 Fig. 4: Bread of Affliction

 Sassoon Spanish Haggadah

 ProvenceorCatalonia, c.1320

 Jerusalem, IM MS 180/41, fol. 21v

 (Jerusalem, CJA Documentation)

Lifting up the mazzot, while reciting Ha Lahma Anya ("This is the bread of affliction") is the common custom of all Jewish communities. However, illustrations of this scene can include either the entire family sitting around the table, while the master lifts the plate with three mazzot (fig. 1), two and a half (the other half is hidden for "afikoman"; fig. 2),  two halves of a mazzah (fig. 3) or just two, one each held by the man and the woman (fig. 4).

The depiction in the Tegernsee Haggadah (fig. 1) recalls that in the Sassoon Haggadah, where a man and woman flank the panel holding mazzot (fig. 4).

38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
199983
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 199984 The Tegernsee Haggadah, Fol. 10v, Germany
Austria, Before 1489 edit
Category: Hebrew Illuminated Manuscripts
ID: 199984 The Tegernsee Haggadah, Fol. 10v, Germany
Austria, Before 1489 edit
 
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title The Tegernsee Haggadah | Unknown
3a Object Passover Haggadah
3b Object Detail Fol. 10v
4a Artist/ Maker Joseph son of R. Ephraim (Scribe)
5 Date Before 1489
6 Period Unknown
7 Origin Germany
Austria
|
8 Community Ashkenazi
|
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod. hebr. 200 (Steinschneider 1895, No. 200)
10 Location Germany | Bayern (Bavaria) | München (Munich) | Bayerische Staatsbibliothek (BSB)
|
11 Site Unknown
12 School/Style Danube region of south Germany and Austria|
13 Iconographical Subject Initial word, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000426.jpg
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
199984
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a



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