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Obj. ID: 23164
Hebrew Illuminated Manuscripts
  Miscellany, Italy, 15th c.

© Center for Jewish Art, Photographer: Unknown,

5 image(s)

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Name/Title
Miscellany (Shmuel ben Yaakov Gema (?), Reishit ha-Lekakh and Yitzhak ben Yehudah Halevi, Pa'ne'ah Raza (excerpt)) | Unknown
Object Detail
Monument Setting
Unknown
Date
15th century
Synagogue active dates
Reconstruction dates
Origin
Historical Origin
Unknown
Community type
Unknown |
Congregation
Unknown
Site
Unknown
School/Style
Unknown|
Period
Unknown
Period Detail
Collection
Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. hebr. 153 (Schwartz, No. 43)
Documentation / Research project
Unknown
Material/Technique
Material Stucture
Material Decoration
Material Bonding
Material Inscription
Material Additions
Material Cloth
Material Lining
Tesserae Arrangement
Density
Colors
Construction material
Measurements
Height
Length
Width
Depth
Circumference
Thickness
Diameter
Weight
Axis
Panel Measurements
Iconographical Subject
Unknown |
Condition
?????????????
Extant
Documented by CJA
Surveyed by CJA
Present Usage
Present Usage Details
Condition of Building Fabric
Architectural Significance type
Historical significance: Event/Period
Historical significance: Collective Memory/Folklore
Historical significance: Person
Architectural Significance: Style
Architectural Significance: Artistic Decoration
Urban significance
Significance Rating
Languages of inscription
Unknown
Type of grave
Unknown
0
Ornamentation
Custom
Contents
Reishit ha-Lekakh by Shmuel ben Yaakov Gema (?) (see: Remarks): Fols. 1-25 Pa'ne'ah Raza by Yitzhak ben Yehuda Halevi (excerpt: see: Remarks): Fols. 25v-99v
Codicology

: Parchment

 

I + 99 + I leaves

 

 

Measurements

 

Full page: (183-185) x (138-140) mm

Text space: (110-120) x85 mm

 

 

Scribes

The text is written by a single scribe, Moshe ben Shabbetai from Fonni.

 

 

Script

The text is written in semi-cursive Italian script in greenish-brown ink, while the captions and initial words are written in square Italian script.

N

NNumber of columns:

 

The text is written in one column.

 

Number of lines

 

The text is written in 22-23 lines per page.

 

 

Ruling

 

 

Ruling is executed by stylus and brown plummet (e.g. fols. 11-12v). 1+1 vertical lines for margins and 22-23 horizontal lines.

 

Pricking

 

Pricking is noticeable in outer margins (e.g. fols. 1-10).

 

 

Quires

11 quires of 10 leaves each except for quire II (10-1) (between fols. 18 and 19 one leaf is missing); VIII (10-2) (between fols. 73 and 74, in the middle of the quire one bifolio is missing); XI (2-1+1) (the last quire consisted of a bifolio and one single leaf; today one leaf of this bifolio is missing and the quire consists of two single leaves. Between fols. 97v and 98 also the text is missing).

 

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Catchwords

 

Horizontal catchwords for quires are written in the lower left hand corner on the final verso of each quire. The catchwords are decorated with curls.

 

 

 

Hebrew numeration

 

None

 

 

Blank leaves

 

It seems that fol. 25v was originally blank.

 

Scribes
Script
Number of Lines
Ruling
Pricking
Quires
Catchwords
Hebrew Numeration
Blank Leaves
Direction/Location
Façade (main)
Endivances
Location of Torah Ark
Location of Apse
Location of Niche
Location of Reader's Desk
Location of Platform
Temp: Architecture Axis
Arrangement of Seats
Location of Women's Section
Direction Prayer
Direction Toward Jerusalem
Coin
Coin Series
Coin Ruler
Coin Year
Denomination
Signature
Colophon
The colophon is situated at the lower part of fol. 99v. It is written in semi cursive Italian script in Ink color, by the scribe Moshe ben Shabbetai from Fonni. Text: "ברוך נותן / ליעף כח ולאין/ אונים עצמה ירבה.[ישעיהו מ': כט']/ תם ושלי ונשלם./ בנ"לך ואע"י [ישעיהו מ': כט' בראשי תיבות] בא"ב ובא"ב. [ברוך אלוהינו בוראינו וברוך אלוהינו בוראינו] / אני משה ילו"ו [?] בכ"ר [בן כבוד רבי] שבתי ישר"ו [יחיה שנים רבות וטובות] מפוני כתבתי זה הספר ששמו/ ראשית הלקח וצפנת פענח לר' יהודה כהן בכ"ר [בן כבוד רבי] בנימין כהן ישר"ו [יחיה שנים רבות וטובות]/ וקבלתי המעות מידו ה' יזכהו הוא וזרעו וזרע זרעו עד סוף/ כל הדורות אמן" "May he be blessed, who giveth power to the faint; and to them that have no might he increaseth strength (Isaiah 40: 29). It is finished and mine, and completed. [The same verse from Isaiah, but abbreviated]. May he be blessed, our Lord, our Creator [appears twice as abbreviation]. I am Moshe […] son of Shabbetai, may he live many fine years, from Fonni. I copied this book which is named Reishit ha-Lekakh and Tzofnat Pa'ne'ah for Rabbi Yehudah Cohen son of Benjamin Cohen, may he live many fine years and I received money from his hands, may the Lord grant him and his progeny and to the seed of his seed till the end of all generations, amen."
Scribal Notes
Fol. 1 opens with an inscription written by the scribe on the upper margin: "בהנו"א [בעזרת השם נעשה ונצליח אמן] לק"י [לישועתך קויתי ה' (בראשית מט': יח')] עמ"י עש"ו [עזרי מעם ה', עשה שמים וארץ (תהלים קכא':ב')] אי"ה [אם ירצה השם] נ"א [?] סעדני ואושעה" "With the Lord's help, let us do and thrive [abbreviated], I have waited for thy salvation, O Lord (Genesis 49: 18), my help cometh from the Lord, which made heaven and earth (Psalms 121: 2), if the Lord will wish [abbreviated], […] support and redeem me" The name of the scribe, Moshe, is crowned with curls (e.g. fol. 77).
Watermark
Hallmark
Group
Group
Group
Group
Group
Trade Mark
Binding

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Decoration Program
  1. Decorative cartouche on fol. 25v framing the word "Decipher" ("פענח") which opens the second part of the manuscript containing the text of Pa'ne'ah Raza.
  2. Drawing of womb on the outer margin of fol. 28v illustrating the marginal note about androgyny.
  3. Decorated catchwords with simple curls at the end of the quires (e.g. fol. 29v).
  4. Curled ascenders and descenders of the letters in the first and last lines of some pages (e.g. fol. 27v).
  5. Shaped text at the last two pages of the manuscript (e.g. fol. 99).

 

Summary and Remarks

According to the colophon, the manuscript including Reishit ha-Lekakh and Pa'ne'ah Raza (excerpt) was copied by Moshe ben Shabbetai from Fonni for Yehudah ben Benjamin Cohen. The script and codicological features of the manuscript indicate that it was produced in Italy during the 15th century.

The statement of the scribe that he is from Fonni may indicate that at the time he copied this manuscript he was not in Fonni and identifying his city of origin. The city of Fonniis located in central Sardinia, although A. Freimann supposes that the scribe is referring to Giffone (גייפוני) which is in Calabria(Freimann, Jewish Scribes, p. 306).

 Little is known about the Jewish communities of Sardinia in the period extending from the time of the establishment of a native government in Sardinia (665) to that of the annexation of the island to Aragon(1325). During the first century of Spanish domination, the Jews of Sardinia enjoyed prosperity. The Aragonian king granted them many privileges, and their numbers were greatly augmented by the arrival of new settlers from Barcelona,Majorca, and other places. One of the largest Jewish communities in this period was in Alghero. However, in 1492 Sardinia, along with all other territories ruled by Spain, expelled their Jews.

 Thus, the statement of the scribe that he is from Fonni may indicate that he copied the manuscript somewhere in Italy, after the expulsion from Sardinia in 1492. On the other hand, it is possible that, like many other Jewish scribes, Moshe ben Shabbetai simply moved from his native Fonni to another place in Italy, without any connection to the expulsion.   

 Moshe was responsible for the shaped text (fols. 99 and 99v), the decorated catchwords, ascenders and descenders. However, at a later period, probably in the 16th century, another hand added a decorative cartouche on fol. 25v, which was originally blank and separated between the two texts included in the manuscript, Reishit ha-Lekakh and the excerpt of Pa'ne'ah Raza, as well as the inscribed marginal illustration on fol. 28v was also added by 16th century's hand.

 Reishit ha-Lekakh (The Beginning of Learning) is a text on Hebrew language and grammar, influenced by Ars grammatica, a text by Aelius Donatus, a Roman grammarian and teacher of rhetoric in the middle 4th century CE (Rothschild, La tradition vive, pp. 193-210). Reishit ha-Lekakh is divided according to eight parts of speech, which are defined philosophically. It also discusses the optative, an old verb form, which assigns an expression of a wish. The question of the authorship of this text is problematic. Supposedly, it was written by Shmuel ben Yaakov Gema (Baber, Ateret Tzvi, pp. 5-6).

 Reishit ha-Lekakh was very popular in Italy. One of the earliest extant examples of Reishit ha-Lekakh was copied in 1287 in Italy (Paris, Bibliothèque Nationale, héb. 1221, fols. 231-249v) (see Beit Ariè, Otzar Kitvei Yad, vol. II, no. 13). Other manuscripts including Reishit ha-Lekakh also were mostly copied in Italy (for example: London, Montefiore Library, 217, fols. 328-339 (ca. 1300); Biblioteca Apostolica Vaticana, ebr. 403, fols. 51v-66 (14th c.)), a fact which probably points to the Italian origin of this text.

 The text of the Vienna manuscript and of the Vatican manuscript open with a poetic introduction:

 "אני ראשית לכל לקח ומבוא... יצרני ילדני שמואל בנו יעקב..."

("I am the beginning of every learning and introduction… I created and gave birth, Shmuel ben Yaakov…")

This poem mentions the name of the author, Shmuel ben Yaakov, but it is not clear if it is indeed Shmuel ben Yaakov Gema and when this poem was added to the text (in the earliest example of Reishit ha-Lekakh, in the Paris manuscript, the poem does not appear).  

   

The text of the excerpt of Pa'ne'ah Raza (The Deciphering of a Secret) is a commentary on Torah based on gematria. This text is different from the original Pa'ne'ah Raza (end of the 13th century), written by Yitzhak ben Yehuda Halevi, although the division of the text according to the Parshiot and the character of the commentaries are similar in both versions. Similar versions of the text appear in a manuscript from the Vatican Library, copied in Italy in the 14th-15th century (Biblioteca Apostolica Vaticana, ebr. 238, 28 leaves) and in a manuscript from the National Library in Paris, copied in Sienna in 1426 (Bibliothèque Nationale, héb. 1467, fols. 37v-93). The text of the Paris manuscript opens similarly to the Vienna manuscript: "I will start to write a few words of the book of Pa'ne'ah in short"(אתחיל לכתוב קצת מלות ספר פענח בקיצור).  

 

 

Suggested Reconsdivuction
History/Provenance
From fol. 1 up to fol. 44 there are marginal notes in Hebrew and Latin, correcting and completing the text. They are written in…inks, probably by Flaminii who was the owner of the manuscript and signed his name on fol. 99v: "L[…]s Flaminii". Schwarz identifies this Flaminii as Marcantonio Flaminii (Schwarz, Catalogue, p. 48) and also as the owner of a manuscript preserved in Munich, Bayerische Staatsbibliothek, Cod. hebr. 202 (fol. 163v). On fol. 1 there is another owner's inscription: "dindice Isach Rigli [?]". The signatures of censors are found on fols. 97v and 99v: Fol. 99v: "Revisus p[er] me Laurentiu[m] Franguellu[m] 1575" Fol. 97v: "Visto p[er] me frate Renato da Mo[dena] 1621"
Main Surveys & Excavations
Bibliography
Baber, S., Ateret Tzvi, Sefer Yovel le-Tzvi Graetz, Breslau, 1918. Beit Ariè and C. Sirat, Otzar kitvei yad mi-yamei ha-beinaim, vol. II, Jerusalem, 1972-1986, no. 13. Freimann, A. Jewish Scribes in Medieval Italy, in Alexander Marx Jubilee Volume, New York, 1950, pp. 231-342. Hirschfeld, H., Literary History of Hebrew Grammarians and Lexicographers. Accompanied by Unpublished Texts, Jewish College Publication, no. 9 (1926), p. 98. Perani, M., "Appunti per la storia degli Ebrei in Sardegna durante le dominazione aragonese", Italia, 5, 1/2 (1985), pp. 104-144. Rothschild, J.P., La tradition vive: mélanges d’histoire des textes en l’honneur de Louis Holtz, Paris-Turnhout, 2003, pp. 193-210. Schwarz, Z., Die hebräischen Handschriften in Österreich, ausserhalb der Nationalbibliothek in Wien, Leipzig, 1931, pp. 47-48.
Short Name
Full Name
Volume
Page
Type
Documenter
Name: Ilona Steimann | 21.11.05
Author of description
Aliza Cohen-Mushlin and Ilona Steimann | 23.11.05
Architectural Drawings
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Computer Reconstruction
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Section Head
Michal Sternthal |
Language Editor
Judith Cardozo |
Donor
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Negative/Photo. No.