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  (XI) Obj. ID: 20174 Fugger's Third Venetian Miscellany on Kabbalah,, Venice, c.1549 . // David ben Moshe,Meir,Scribe 2,Scribe 3 edit  
Category: Hebrew Illuminated Manuscripts


2 Name/Title Fugger's Third Venetian Miscellany on Kabbalah | Unknown
3a Object Mystical and Kabbalistic literature
3b Object Detail
4a Artist/ Maker David ben Moshe,Meir,Scribe 2,Scribe 3 (Unknown)
5 Date c.1549
6 Period Unknown
6a Period Detail
7 Origin Italy | Veneto | Venice
|
8 Community Unknown |
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 11 (Steinschneider 1895, No. 11)
9b Documentation/
Research project
Unknown |
10 Location Unknown |
11 Site Unknown
12 School/Style Venecian Workshop, 1548-1552|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19 Remarks
20 Description

More Details...
 
21 Ornamentation
22 Custom
23 Contents
1. Sha'arei Orah (שערי אורה; lit. The Gates of Illumination) by Joseph ben Abraham Gikatilla (fols. 1'-152): begins אמרו צדיק כי טוב כי פרי מעלליו יאכל שאלת ממני ידיד נפשי. Another fragmentary copy in Munich, BSB Cod.hebr. 83 (fols. 169v-200). 1st. ed. Mantua and Riva de Trento 1561. 2. Ma'arekhet ha-Elohut (מערכת האלהות; lit. The Order of God) by an anonymous author (fols. 153-215): begins היא קיום אמונת האלהות כאשר נאות להאמין בשלמות. Another copy in Munich, BSB Cod.hebr. 240 (fols. 23v-46v), belonged to Johann Albrecht Widmanstetter. 1st. ed. Ferrara 1558. On the attribution of the treatise to R. Perez, see Scholem 1944/45:284-287. 3. Sha'ar ha-Sho'el (שער השואל: שאלות ותשובות על עשר הספירות; The Gate of the Inquirer: Explanation concerning the Ten Sefirot) by Azriel of Gerona (fols. 216-224v): beginsשער השואל שאלותיו אחד עשר ותשובותיהן אחד עשר ואחריהן הוסיף המחבר. Printed in Derech Emunah by Meir Ibn Gabbai (Constantinople 1560). Other copies in Munich, BSB Cod.hebr. 92 (fols. 18-24), belonged to Egidio da Viterbo and later to Johann Albrecht Widmanstetter; BSB Cod.hebr. 221 (fols. 31-37v); BSB Cod.hebr. 240 (fols. 9-10v); BSB Cod.hebr. 311 (fols. 87-90v). The three latter also belonged to Johann Albrecht Widmanstetter (Tishbi 1945:159-178). 4. Fragment of Sefer ha-Yihud (ספר היחוד; lit. The Book of Divine Unity) by Asher ben David (fols. 224v-229v): begins בספר היחוד פי' שלש עשרה מדות לרב ר' אשר. Other fragments in Munich, BSB Cod.hebr. 53 (fols. 23v-26) from Fugger's Venetian group; BSB Cod.hebr. 209 (fols. 29v-33), belonged to Domenico Grimani. Another variant is found in BSB Cod.hebr. 43 (fols. 246v-252v), also from Fugger's Venetian group, and in BSB Cod.hebr. 92 (fols. 205-214), which belonged to Egidio da Viterbo and later to Johann Albrecht Widmanstetter (Abrahams 1996). 5. Tefillat ha-Yihud (תפלת יחוד לר' נחוניא בן הקנה; lit. The Prayer of Divine Unity) attributed to Nehunya ben ha-Kana (fols. 229v-231v): begins בא"י שדי טהור בטהר המציאות. Another copy in Munich, BSB Cod.hebr. 112 (fols. 167v-169v) was produced for Johann Albrecht Widmanstetter by Paulus Aemilius (Scholem 1948:259). 6. Keter Shem Tov (כתר שם טוב; lit. The Crown of Shem Tov) by Shem Tov ben Abraham ben Gaon (fols. 232-287v): beginsאמר שם טוב בר' אברהם בר' יהושע. A reduction of the kabbalistic super-commentary on Moses ben Nahman's commentary on the Pentateuch includes first and second introductions (Loewinger 1963:30 No. 9). Two other copies in Munich are from Fugger's Venetian group: BSB Cod.hebr. 56 (fols. 1-60v) and BSB Cod.hebr. 66 (fols. 1'-245); BSB Cod.hebr. 341 (fols. 2-55v), belonged to Domenico Grimani and later to Johann Albrecht Widmanstetter. All include the second introduction only. 7. Sha'ar ha-Nikkud (שער הנקוד; lit. The Gate of Vocalization) by Joseph ben Abraham Gikatilla (fols. 288-305): beginsדע לך אחי כי הנקוד הוא יסוד האותיות כמו שאתה רואה בתנועה . Other copies in Munich, BSB Cod.hebr. 54 (fols. 257-280v) from Fugger's Venetian group and BSB Cod.hebr. 215 (fols. 181v-197v), belonged to Egidio da Viterbo and later to Johann Albrecht Widmanstetter. 1st ed. Venice 1601. On the similarity of this work to the third part of Ginnat Egoz (Nut Orchard), see Gottlieb 1976: 99-105. The title attributes the treatise to Abraham bar Shmuel ha-Spharadi (Abulafia). This confusion appears in several manuscripts produced in Italy in the 15th and 16th century (e.g. Harvard University Heb. 58, fol. 35). 8. Sha'ar ha-Otiyyot (שער האותיות; lit. The Gate of Letters), short version of Ginnat Egoz (Nut Orchard) by Joseph ben Abraham Gikatilla (fols. 305v-323v): begins הנה כל חלקי העולם הם בעשרה. 9. Fragment from Sitrei Torah (סתרי תורה; Secrets of the Torah) by Abraham ben Samuel Abulafia (fols. 323v-329). Kabbalistic commentary on Maimonides' Guide to the Perplexed; beginsסוד יא' סוד נודע מערך ט'. Three complete copies in Munich, from Fugger's Venetian group: BSB Cod.hebr. 28 (fols. 192-265); BSB Cod.hebr. 33 (fols. 1-71); and BSB Cod.hebr. 56 (fols. 61-129v). BSB Cod.hebr. 112 (fols. 111v-119) was produced for Johann Albrecht Widmanstetter by Paulus Aemilius; BSB Cod.hebr. 341 (fols. 136-180v), belonged to Domenico Grimani and later to Johann Albrecht Widmanstetter (Idel 1976:12 n. 43).
24 Codicology
24a Scribes David ben Moshe (Scribe A*): fols. 1'-159, 160-215, in brown and dark brown ink. Scribe 2** (Interpolator A*): fol. 159v, in brown ink. Meir (Scribe B): fols. 217-288, in dark brown ink. Scribe 3 (Scribe C): fols. 288v-329, in dark brown ink. The text was sometimes proofread by the scribes themselves (e.g. fol. 298v), but mainly by the corrector of the Fugger's group (see e.g. fols. 49, 63, 159v, 217v, 218, 294, 298v). * The letters A, B, etc. denote the order of copying by the main scribes and interpolators in this manuscript. ** Running numbers (Scribe 1, 2, etc.) denote anonymous main scribes and interpolators throughout the entire group of Fugger’s Venetian manuscripts. The scribes identified by name are not numbered.
24b Script The main text is written in semi-cursive Ashkenazi script.
24c Number of Lines The text is written in 30 lines per page in one column.
24d Ruling Ruling by stylus: 30 horizontal and 1+1 vertical lines (e.g. fol. 1').
24e Pricking None. It seems that the scribes used ruling-boards, therefore there is no pricking.
24f Quires 29 quires of 12 leaves each, except for I14, XIII6, XIX4, XXV10+1, XXIX6. Quire composition: I14 (1'-14 the foliation is incorrect: 10, 12, 13); II12 (15-26); III12 (27-38); IV12 (39-50); V12 (51-62); VI12 (63-74); VII12 (75-86); VIII12 (87-98); IX12 (99-110); X12 (111-122); XI12 (123-134); XII12 (135-146); XIII6 (147-152); XIV12 (152a-163); XV12 (164-175); XVI12 (176-187); XVII12 (188-199); XVIII12 (200-211); XIX4 (212-215); XX12 (217-227); XXI12 (228-239); XXII12 (240-251); XXIII12 (252-263); XXIV12 (264-276); XXV10+1 (277-287); XXVI12 (288 -299); XXVII12 (300-311); XXVIII12 (312-323); XXIX6 (324-329).
24g Catchwords Catchwords for leaves are written horizontally at the left below the text in semi-cursive script by the text scribe.
24h Hebrew Numeration None.
24i Blank Leaves Fols. 1'v, 152v, 152a, 152a verso, 215v, 216v, 288v.

25 Material/Technique
Paper, 2 + 331 + 3 leaves.
Watermarks: A cross between '3' and 'C' in the outer corner of the folio (26 mm; e.g. fols. 4, 7, 36, 176): similar to Harlfinger 1974-80: Ancre 55 (1545-6); a trefoil flower between 'P' and '3' in the outer corner of the folio (32 mm; e.g. fols. 292, 320): similar to Harlfinger 1974-80: Lettres 75 (Venice, 1548, 1550).

25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
Full page: (347-348) x (243-245) mm.
Text space: David ben Moshe: (236-237) x (138-140) mm.
Meir and Scribe 2: (238-240) x (140-143) mm.
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
Fol. 152: Colophon of David ben Moshe, written in semi-cursive script in brown ink, reads: חזק ונתחזק הסופר לא יוזק לא היום ולא/ לעולם עד שיעלה חמור בסולם. נאם דוד/ בר' משה ז"ל ונשלם מוצאי שבת שנת גש"ו/ אלי [מלכים א', יח: ל] לאלף השישי (Be strong and strengthen. The scribe will not be harmed, not today nor ever until a donkey climbs up a ladder. Says David ben Moshe of blessed memory, and completed at the end of the Shabbat, in the year 5309 [9.02.1549?]). The date is given by the numerical value of the first word of the quotation from I Kings, 18:30. Since the explicit day and month are missing, it seems that this quotation may also refer to the haftarah read on the Shabbat. The haftarah גשו אלי belongs to the haftarahכי תשא , which was read on the Sabbath of 16.02.1549, therefore the date could be 9.02.1549.
31 Scribal Notes
Fols. 39, 132v, 158: A coronet above the name David.
Fol. 306: Note by Scribe 2 in the inner margin:ההעתקה שהיה לפני היה/ מטושטש מאד ... (The copy in front of me was very blurred ...).
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding

Green leather partly turned brown on wooden boards (348 x230 mm); gold-tooled similarly on front and back with a central roundel within an undulating lozenge in a large rectangle, decorated with floral motifs at the centre of each side and at the corners. The front roundel is inscribed CABALA, below is the letter A. The back roundel is inscribed קבלה and below is the letter א. The spine, blind-tooled with hatching, has four hidden cords and head and tail bands. On the edges of the front cover are vestiges of four groups of three plaited leather bands, two on the side edge and one each on the upper and lower edges, with corresponding holes for four nails on the edges of the back cover (for preserved bands see BSB Cod.hebr. 301). Each group of three bands terminated in a ring which was intended to hook over on the nails on the opposite cover. The leaves are gilt-edged.

 

This binding was made for Fugger by Andrea di Lorenzo inVenice(Hobson 1999:111-112). Similar bindings for BSB Cod.hebr. 17, 22, 24, 40, 52, 54 and BSB Cod.gr. 21, 39.

 

Watermarks on flyleaves: None.

36 Decoration Program

The decoration is executed by David ben Moshe and Meir:

  1. David ben Moshe: decorated title on fol. 1' written in display script decorated with different motifs.
  2. David ben Moshe: decorated initial word on fol. 1 written in ribbon-like letters.
  3. David ben Moshe and Meir: crowns above the tetragrammaton, synonyms of the name of God, the words keter (crown), hesed (mercy), and bina (wisdom) (fols. 5v, 38, 50v, 61, 85v (crown), 97, 99v, 114 (mercy), 117 (wisdom), 218, 223v, 229v, 241, 243v, 285, 287v).   
  4. David ben Moshe: catchwords decorated with a depiction of their literal meaning (fols. 150v

and 194v).

36 Summary and Remarks

David ben Moshe appears in BSB Cod.hebr. 40, 52, and 54; Meir in BSB Cod.hebr. 7, 8, 15, 23, 27, 29, 31, 39, 44, 47, 49, 50, 54, 56, 58, 59; Scribe2 inBSB Cod.hebr. 12 and 30; and Scribe 3 only in this codex.

38 Suggested Reconstruction
39 History/Provenance
Owners' inscriptions: None.
Inscriptions of librarians and researchers:
The numbering of texts by Fugger’s librarians does not always correspond to the actual number of texts in the manuscript: N0 1: fols. 1'-152; N0 2: fols. 153-215; N0 3: fols. 216-287v; N0 4: fols. 288-329.
Front flyleaf, verso: contents in Hebrew in brown ink by Librarian 1a:
ספר שערי אורה/ כתר התורה/ שנים עשר חותמות/ של שם הגדול יהוה/ מערכות האלוהות/ שאלות ותשובות/ על עשר ספירות/ מרבי שם טוב בר'/ אברהם/ פי הנקוד על פי/ הקבלה להחכם/ האדון אברהם בר' שמואל ספרדי.
Contents in Hebrew in Latin characters in brown ink by Librarian 2:
Sephaer schaare ora\ Caesaer hatora\ Schenem asar hosamos\ Schel schem hagadol IHVH.\ Maarchos haelohos.\ Schaelos vtschuuos\ al aesaer sephiros meribi Schem tof\ bar Auraham.\ Perusch hanakod al pi\ hakabala lehacham\ haadon Auraham bar\ Schmuel spharadi.
Contents in Latin in greyish ink by Librarian 2:
Seph: Schaere ora. Liber portaru' lucis*\ Kaesaer hatora. Corona legum.\ Schene' 7c: De XII sigillis magni\ nominis tetragram'aton. Iehoua.\ Marchos 7c: apparatus diuinitatis.\ R. Schem Tof filij Abraham erotemata\ in. X. Sephiros. i numeros.\ Don Abraham filij Samuelis Hispani\ de punctis et literis comentarius, liber\ cabalisticus.
Fol. 216: an inscription in brown ink by Librarian 1a:
שאלות ותשובות על עשר/ ספירות מר' שם טוב בר'/ אברהם בר' יהושע בר'/ שאול בר' משה בר' גמון.
Copied above an earlier inscription written by the corrector of Fugger's group in semi-cursive Ashkenazi script, which reads the same except for the last word: גאון. The letter א of גאון in the lower inscription indeed looks like מ.

* The translation into Latin was made by Paulus Ricius and printed in Augsburg in 1515 under the title of Portae Lucis.

Exlibris and stamps:
Inside front wooden board: an exlibris of the Bavarian Court and State Library (230 x 155 mm) with the arms of Elector Maximilian I of 1638 (Dressler 1972:B3ab), stuck over his earlier exlibris (175 x 135 mm)
of 1618, before he became Elector in 1623 (Dressler 1972:A3a-f).
On the front cover pastedown there is a modern oval stamp of the BSB: BIBLIOTHECA\ REGIA\ MONACENSIS.
Signatures:
Back cover in black ink: Sta. 8 n0. 20 (second signature of Fugger's library).
Front cover in black ink: 2. n0. 45 (Duke's library, Prommer's signature).
Second front flyleaf, verso, in red ink: 2. 45 (Duke's library, Prommer's revision of 1583).
Front pastedown in black ink: MS. Hebr. 7.
Inside front wooden board in plummet on the exlibris: Cod.hebr. 11 (current signature).
Spine, on sticker, and inside back board on sticker in black ink: Cod.hebr. 11 (current signature).
40 Main Surveys & Excavations
41 Condition
Good. Apparently the manuscript was not used.
42 Biography
43 Bibliography
Abrahams 1996 D. Abrahams, R. Asher ben David; his Complete Works, Los Angeles 1996. Dressler 1972 F. Dressler, Die Exlibris der Bayerischen Hof- und Staatsbibliothek, 17. bis 20. Jahrhundert, Wiesbaden 1972. Gottlieb 1976 א' גוטליב, מחקרים בספרות הקבלה, תל אביב תשל"ו (E. Gottlieb, Research on the Kabbalistic Literature, Tel Aviv 1976). Harlfinger 1974-80 D. Harlfinger, Wasserzeichen aus griechischen Handschriften, Berlin, 1974-1980. Hobson 1999 A. Hobson, Renaissance Book Collecting: Jean Grolier and Diego Hurtado de Mendoza, their Books and Bindings, Cambridge 1999. Idel 1976 מ' אידל, כתבי ר' אברהם אבולעפיה ומשנתו, ירושלים תשל"ו (M. Idel, Writings of R. Abraham Abulafia and his Teaching, Ph.D. thesis, Jerusalem 1976). Loewinger 1963 ד' ש' לוינגר, "רבי שם טוב בן אברהם בן גאון", ספונות ז (תשכ"ג):7-39 (D. S. Loewinger, "Rabbi Shem Tov ben Abraham ben Gaon," Sefunot 7 (1963):7-39. Scholem 1944\45 ג' שולם, "לבעיות ספר מערכת האלהות ומפרשיו", קרית ספר כא (תש"ד-תש"ה):284-287 (G. Scholem, "The Problems of the Book Ma'arekhet ha-Elohut and its Commentators", Kiryat Sefer 21 (1944-1945):284-287. Scholem 1948 ג' שולם, ראשית הקבלה, ירושלים תש"ח (G. Scholem, The Beginning of Kabbalah, Jerusalem 1948). Sirat 1985 C. Sirat, A History of Jewish Philosophy in the Middle Ages, Paris 1985. Sirat and Dukan, unpublished C. Sirat and M. Dukan, Etude des manuscrits hébreux"sehr inkorrekt" conservés dans la Bibliothèque de Munich (Institut des Recherche et d'histoire des Textes, CNRS, Paris), unpublished. Steinschneider 1895 M. Steinschneider, Die hebräischen Handschriften der K. Hof- und Staatsbibliothek in München, Munich 1895. Tishbi 1945 י' תשבי, "כתבי המקובלים ר' עזרא ור' עזריאל מגירונה", סיני טז (תש"ה):159-178 (Y. Tishbi, "Writings of the Kabbalists R. Ezra and R. Azriel of Gerona", Sinai 16 (1945):159-178.
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
20174
48 Temp: Addenda
OVRPO=ntl%3Atrue%2Cntl_localname%3Atrue%2Csubject%3A%2Csubject_detail%3A%2Cobject%3Atrue%2Cobject_detail%3A%2Cmaker_profession%3Atrue%2Cmaker_name%3Atrue%2Cmaker_detail%3Atrue%2Cdate%3Atrue%2Cperiod%3Atrue%2Cperiod_detail%3Atrue%2Cphotographer%3A%2Cphoto_date%3A%2Cphotographer_copyright%3A%2Corigin%3Atrue%2Corigin_detail%3Atrue%2Chistorical_origin%3Atrue%2Cschool%3Atrue%2Cschool_detail%3Atrue%2Ccommunity%3Atrue%2Ccommunity_detail%3Atrue%2Ccollection%3Atrue%2Ccollection_detail%3Atrue%2Ccopyright%3Atrue%2Csite%3Atrue%2Csite_detail%3Atrue%2Clocation%3Atrue%2Clocation_detail%3Atrue%2Cdescription%3A%2C&

Registrar
Function: Name: Date:
49 Documenter Ilona Steimann 2008, 2015 49a
50 Researcher Ilona Steimann; Prof. Aliza Cohen-Mushlin 2008; 2015 2015 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head Michal Sternthal; Project Head: Prof. Aliza Cohen-Mushlin 04-2016; 2008-2015 53a
54 Editor Christine Evans 2015 54a
55 Donor Supported by the Fritz Thyssen Foundation 55a

Less Details


Object's images (6 image(s))

     

(XXII) ID: 201039 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 1, Venice, c.1549 edit
Category: Hebrew Illuminated Manuscripts
ID: 201039 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 1, Venice, c.1549 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Fugger's Third Venetian Miscellany on Kabbalah | Unknown
3a Object Mystical and Kabbalistic literature
3b Object Detail Fol. 1
4a Artist/ Maker David ben Moshe,Meir,Scribe 2,Scribe 3 David ben Moshe (scribe-artist), Meir (scribe-arti (Unknown)
5 Date c.1549
6 Period Unknown
7 Origin Italy | Veneto | Venice
|
8 Community Unknown |
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 11 (Steinschneider 1895, No. 11)
10 Location Unknown |
11 Site Unknown
12 School/Style Venecian Workshop, 1548-1552|
13 Iconographical Subject Initial word, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000035.jpg
20 Description

Fol. 1: The initial word שאלת (ממני) (You asked from me) executed by David ben Moshe, opening the first treatise at the top of the page, is written in undulating scroll letters with flowers on the stems and a human mask on the ascender. The diagonal of the letter א is decorated with an acanthus scroll in spared-ground technique.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Brown ink, spared-ground technique, pen-drawing.
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
201039
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 201040 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 1, Venice, c.1549 edit
Category: Hebrew Illuminated Manuscripts
ID: 201040 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 1, Venice, c.1549 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Fugger's Third Venetian Miscellany on Kabbalah | Unknown
3a Object Mystical and Kabbalistic literature
3b Object Detail Fol. 1
4a Artist/ Maker David ben Moshe,Meir,Scribe 2,Scribe 3 David ben Moshe (scribe-artist), Meir (scribe-arti (Unknown)
5 Date c.1549
6 Period Unknown
7 Origin Italy | Veneto | Venice
|
8 Community Unknown |
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 11 (Steinschneider 1895, No. 11)
10 Location Unknown |
11 Site Unknown
12 School/Style Venecian Workshop, 1548-1552|
13 Iconographical Subject Opening page, decorated
Initial word, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000036.jpg
20 Description

Fol. 1': The title of the first treatise ספר שערי אורה (Book of the Gates of Light) executed by David ben Moshe is written in built-up letters in the upper part of the page, while the text begins on the next page. The letters are decorated with zigzags, double plaits, acanthus scrolls, dragons with acanthus tails and a human mask, all in spared-ground technique. Flowers decorate the stems of the letters. 

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Brown ink, spared-ground technique, pen-drawing.
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
201040
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 201042 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 50v, Venice, c.1549 edit
Category: Hebrew Illuminated Manuscripts
ID: 201042 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 50v, Venice, c.1549 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Fugger's Third Venetian Miscellany on Kabbalah | Unknown
3a Object Mystical and Kabbalistic literature
3b Object Detail Fol. 50v
4a Artist/ Maker David ben Moshe,Meir,Scribe 2,Scribe 3 David ben Moshe (scribe-artist), Meir (scribe-arti (Unknown)
5 Date c.1549
6 Period Unknown
7 Origin Italy | Veneto | Venice
|
8 Community Unknown |
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 11 (Steinschneider 1895, No. 11)
10 Location Unknown |
11 Site Unknown
12 School/Style Venecian Workshop, 1548-1552|
13 Iconographical Subject Crown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000038.jpg
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
201042
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 201037 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 150v, Venice, c.1549 edit
Category: Hebrew Illuminated Manuscripts
ID: 201037 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 150v, Venice, c.1549 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Fugger's Third Venetian Miscellany on Kabbalah | Unknown
3a Object Mystical and Kabbalistic literature
3b Object Detail Fol. 150v
4a Artist/ Maker David ben Moshe,Meir,Scribe 2,Scribe 3 David ben Moshe (scribe-artist), Meir (scribe-arti (Unknown)
5 Date c.1549
6 Period Unknown
7 Origin Italy | Veneto | Venice
|
8 Community Unknown |
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 11 (Steinschneider 1895, No. 11)
10 Location Unknown |
11 Site Unknown
12 School/Style Venecian Workshop, 1548-1552|
13 Iconographical Subject Hand
Catchword, decorated |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No. M000033
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
201037
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 201038 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 194v, Venice, c.1549 edit
Category: Hebrew Illuminated Manuscripts
ID: 201038 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 194v, Venice, c.1549 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Fugger's Third Venetian Miscellany on Kabbalah | Unknown
3a Object Mystical and Kabbalistic literature
3b Object Detail Fol. 194v
4a Artist/ Maker David ben Moshe,Meir,Scribe 2,Scribe 3 David ben Moshe (scribe-artist), Meir (scribe-arti (Unknown)
5 Date c.1549
6 Period Unknown
7 Origin Italy | Veneto | Venice
|
8 Community Unknown |
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 11 (Steinschneider 1895, No. 11)
10 Location Unknown |
11 Site Unknown
12 School/Style Venecian Workshop, 1548-1552|
13 Iconographical Subject Chair
Catchword, decorated |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000034.jpg
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
201038
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 201041 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 229v, Venice, c.1549 edit
Category: Hebrew Illuminated Manuscripts
ID: 201041 Fugger's Third Venetian Miscellany on Kabbalah, Fol. 229v, Venice, c.1549 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Fugger's Third Venetian Miscellany on Kabbalah | Unknown
3a Object Mystical and Kabbalistic literature
3b Object Detail Fol. 229v
4a Artist/ Maker David ben Moshe,Meir,Scribe 2,Scribe 3 David ben Moshe (scribe-artist), Meir (scribe-arti (Unknown)
5 Date c.1549
6 Period Unknown
7 Origin Italy | Veneto | Venice
|
8 Community Unknown |
9 Collection Germany | Munich | Bayerische Staatsbibliothek (BSB)
| Cod.hebr. 11 (Steinschneider 1895, No. 11)
10 Location Unknown |
11 Site Unknown
12 School/Style Venecian Workshop, 1548-1552|
13 Iconographical Subject Crown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No. digital
19a Scan No. M000037.jpg
20 Description
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
201041
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a