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  (XI) Obj. ID: 1499 Vienna Semag,, Strasbourg, 5 September, 1344 . // Unknown edit  
Category: Hebrew Illuminated Manuscripts


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
6a Period Detail
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Unknown |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19 Remarks
20 Description

Link to ONB's Database, Vol. I

Link to ONB's Database, Vol. II


More Details...
 
21 Ornamentation
22 Custom
23 Contents
Sefer Mitzvot Gadol (ספר מצות גדול, The Great Book of Precepts), abbreviated SeMaG (סמ"ג) by Rabbi Moses ben Jacob of Coucy, copied in two volumes, the first deals with the 365 Negative Precepts, the second with the 248 Positive Precepts. Each volume is preceded by the author's preface and followed by a list of the precepts:
Vol. I: Preface (fols. 1-6), List of the Negative Precepts (fols. 6-19v), 365 Negative Precepts (fols. 20v-343v).
Vol. II: Preface (fol. 2), List of Positive Precepts (fols. 2v-12, the List is not complete, and Nos. 15-48 are missing), 248 Positive Precepts (fols. 13-561v).
The 2nd volume also contains five additional sections of Positive Precepts derived from the Prophets and Sofrim Tractate, including Eruvin Precepts (fols. 562-576), Mourning Precepts (fols. 576-588), 9th of Av Precepts (fols. 588-591v) Megillah Precepts (fols. 591v-594v) and Hanukkah Precepts (fols. 594v-596v).
24 Codicology

Vellum, vol. I: I + 343 + I leaves; vol. II: I + 596 + I leaves. The parchment is very thin and the difference between hair and flesh sides can hardly be noticeable.

 

Measurements

Vol. I: Full page: ca. 267 x ca.196 mm

           Text space: 156 x104 mm

           Width of text column: mostly45 mm

Vol. II: Full page: ca. 270 x ca.192 mm

           Text space: 155 x110 mm

            Width of text column: 46-48 mm

Scribes

The same scribe copied the two volumes Semag.

 

 

Script

Vols. I, II: Main text is written in square Ashkenazi script in dark brown ink.           

 

Number of lines

Vol. I:

Main text:                      30 lines per page, written in 2 columns, except for fols. 6-19v, 38v-39v, 343-343v in one column

Vol. II:

Main text:                      30 lines per page, written in 2 columns, except for fols. 1-12v in one column.

 

Ruling

Ruling by plummet in brown on both sides of the page, vol. I: 4 + 31 + 5 horizontal, and 2+2+3+2 vertical lines; vol. II: 3 + 31 + 4 horizontal lines (fols. 1-215v) and 4+31+5 horizontal lines (fols. 216-end), and 2+2+3+2 vertical lines.

The two top, middle and bottom horizontal lines are ruled across the full width of the page. Additional short horizontal lines of various numbers (applied for proof notes), are ruled by plummet in the outer margins (e.g. vol. I, fol. 280v, vol. II, fols. 532, 541, 555v).

 

Pricking

Vols. I and II: Pricking is discernible in the inner margins.

 

Quires

Vol. I: 29 quires of 12 leaves each, except for: II4+3 (no text missing).

Vol. II: 50 quires of 12 leaves each, except for: II5+6 andL6+3 (end of the manuscript).

In the first quire (I12): fol. 1 is a section of a single leaf of a Latin Antiphonary of the 14th or 15th century and fol. 3 is single blank leaf. Text after fol. 2 is missing (see contents).

 

 

Catchwords

Traces of catchwords to the quires written vertically in brown ink are in the lower left-hand corner of the last verso of some quires: vol. I: fols. 91v, 103v and 271v; vol. II: fols.23v, 55v, 395v, 443v, 455v, 467v, 491v, 503v, 515v, 551v and 563v.

 

Hebrew numeration

None.

 

Blank leaves

Vol. I: fol. 20, vol. II: fols.3, 12v.

 

24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
None.
31 Scribal Notes
Vol. II, fol. 146v: A divorce formula (Precept No. 50) contains some fictitious details, which probably inserted by the scribe to the original text of the Semag. reads:

"וזה טופס הגט באחד בשבת בששה ועשרים יום לירח אלול שנת חמשת אלפים ומאה וארבע לבריאת עולם למנין שאנו מנין כאן במדינת שטרספורק דיתבא על נהר רינוס ועל נהר אילא ועל נהר ברושא ועל נהר קלטהא ועל מי בארת אנא הינצא בר רבי צבים המכונה קורוט בר רבי שוטה דיתבא על נהר פלוני… אנתתי בילא המכונה בילקין בת רבי קולניר המכונה מיור ואת דרה עכשיו במקום כוש דיתיבא על נהר פרת… "
Paraphrase:
The divorce contract gives the date Sunday 26th of the month of Elul in the year 5104 (5.9.1344), and the place, the city of Strasbourg on the rivers Rhine, L'ill, la Bruche and Kleta (?). The man is “Hinza bar R. Zavim was known as Kurot bar R. Shoteh (foolish?)” who leaves [...]". The woman is “Bila known as Bilkin the daughter of R. Kolnir known as Mayur now leaving in Ethiopia on the Euphrates".

The date and place mentioned in this document may indicate the actual production date and place of the manuscript (See Remarks).

Vol. II, fol. 38: At the center of the left text column, the scribe indicated the word “and in France” (ובצרפת) by a foliate motif.

Marginal corrections of the text in light brown ink probably by the original scribe written in the outer margins (e.g. Vol. I, fols. 48v, 53v, 71v, 280v, 294; Vol. II, fols. 532, 541, 555v). A small graphic sign in the main text indicates the place of the correction. (Most corrections were partially cut-off by the binder.)
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program

The decoration consists of display initial words within pen-work filigree panels of various sizes executed mainly in red ink. The type of filigree consists of spiral and foliate motifs arranged at times in shaped forms of lozenges or triangles.

The panels are framed by painted borders of double fillet and at times, by bow-shaped bands. The smaller panels are surrounded on all sides by pen-work.

Small medallions are integrated in the filigree field and in the borders of the panels, filled with two-legged animals and hybrids, dragons, animals' heads, human busts, quadrupeds and foliate motifs, all in spared-ground technique on blue and magenta ground.

Flourishes with tendrils extend from the panels into the margins of that text column which contains the filigree panels, and terminate sometimes in floral motifs (e.g. vol. II, fol. 396v). Colourful birds are perched or fly over the tendrils in the margin (e.g. vol. II, fol. 540).

Only few initial words are not decorated (e.g. vol. II, fols. 370v, 371v). Spaces reserved within the text column intended for the traditional drawn diagrams next to the laws concerning them (e.g. vol. I, fol. 299, vol. II, fol. 439, vol. II, fol. 522v). They are inscribed ”Like this” (כזה), however the diagrams were never copied.

  1. Elaborate initial word panels, some extending to half the text space height, are placed at the opening of the Semag (vol. I, fol. 1), at the beginning of Negative and Positive Precepts sections (vol. I, fol. 20v, vol. II, fol. 13, respectively) and at the beginning of the List of the Positive Precepts (vol. II, fol. 2v). The inhabited medallions are of two-legged hybrids, dragons and foliate motives.
  2. Many smaller horizontal initial word panels occupying the height of 2 or 3 lines are placed in the right side of either one or both text columns, at the opening of almost each precept, sometimes fused to form a vertical panel (e.g. vol. I. fols. 49, 87,126, vol. II, fols. 368v, 540).                                                                                    The Inhabited medallions are filled with floral and foliate motifs (e.g. vol. I, fols. 38, 297, vol. II, fols.18, 24, 60v, 275, 367), including fleur-de-lys (e.g. vol. I, fols. 21, 35v, 128, 300v); dragons and two-legged hybrids and fowls (e.g. vol. I, fols. 38, 49, 63, 87, 169, 224v, 258v, 259, vol. II, fols. 14v, 18, 278, 284, 362, 368v, 468); a cock (vol. II, fol. 396v), quadrupeds: dogs (e.g. vol. I, fol. 22v, vol. II, fols. 318, 397v), monkeys (e.g. vol. I, fol. 254v, vol. II, fol. 350), a bear (vol. I, fol. 295), and a squirrel (vol. I, fol. 29v).

Other medallions include illustrations alluding to the content, filled with bust images of a queen (vol. I, fol. 63), the High Priest (vol. II, fol. 165v), a priest (vol. II, 166) and a Judge (vol. II, fol. 351); animals: dogs (vol. I, fol. 153, 294v), fowl, duck and fish (vol. II, fol. 166), cock and ox (vol. II, 468), a deer (vol. II, fol. 168v), a ram (vol. II, fol. 367) and a lamb (vol. II, fol. 486v).

  1. Decorated descenders of the letters kuf and final nun (e.g. vol. I, fol. 181v, vol. II, fol. 226, 265v, 363) and for a ligature (vol. II, fol. 223).
36 Summary and Remarks

This Vienna Semag consists of Sefer Mitzvot Gadol (SeMaG), The Great Book of Precepts by Moses ben Jacob of Coucy, a French tosafist and codifier, who lived in the first half of the 13th century. This work, which includes the Positive and Negative Precepts of the Law (finished 1250) served as a standard guide of halakhic practice for scholars in all generations, and many tens of manuscripts of this work survived up to now (Ta-Shma, "Moses … of Coucy", cols. 418-9).

 

This copy of the ViennaSemag has no colophon stating the name of the scribe, the date or place of production. However, it includes a divorce formula (vol, II, fol. 146v), which includes details probably inserted by the scribe to the original text of the Semag. In this divorce document the year 1344 and the city ofStrasbourg are mentioned and may indicate the time and place of our manuscript (Sed Rajna, "Filigree Ornaments", p. 50).

 

The style of the illumination also supports the assumption that the manuscript was produced in the Upper Rhinearea. According to Sed Rajna (pp. 46-47), this Semag and other two Hebrew manuscripts similarly decorated attributed to a same workshop of the Upper Rhine School: The Double Mahzor of Vienna and Jerusalem (Vienna, ÖNB, Cod. Hebr. 163; Jerusalem, JNUL, Heb. 80 5214), and theCambridge Hagiographa (Cambridge, UL, Ms Ee 5.9).

The Cambridge Hagiographa has a colophon indicating on fol. 55v the date January 4, 1347 (21 Tevet 5107) and the name of a scribe Hayyim (Sed-Rajna, "Filigree Ornaments",pp. 50 ff.). The Double Mahzor is written by two scribes: scribe A, the original scribe, and scribe B. The original scribe (A) emphasized the name Moshe in both parts of the mahzor and it may well be the scribe's name (see: documentations of theJerusalem part in Index of Jewish Art, Ms.1995.43).

It is interesting to note that the name Moshe is also emphasized in our Semag, although in a different way: the opening page of the Semag (vol. I, fol. I) contains biblical verses in which Moshe is repeated twice in bold script. Since the name of the Semag's author is also Moshe (of Coucy) it is hard to conclude whether it was intended to emphasize the author's or the scribe's name.

However, from the palaeographic examination of these three manuscripts, it seems that each of them is written by a different copyist.

 

The date 1347 inthe Cambridge Hagiographa and the date 1344 included in our divorce formula are assumed as indication date also for that of the Double Mahzor ofVienna andJerusalem (c. 1344-47; Sed Rajna, p. 50).

 

The similar decoration of these three manuscripts consists of filigree pen-work panels using mainly red and blue. The panels are adorned with medallions of the same motifs of hybrids, various animals as well as floral and foliate motifs. Some of the medallions are illustrative as in our ViennaSemag (see Decoration Program) or in the Double Mahzor of Vienna and Jerusalem, where the four beasts of Ezekiel’s vision are depicted (JNUL, Heb. 80 5214, fols. 88, 397v). Tendrils extend from all the panels into the margins some of which are embellished with birds in our Vienna Semag (see Decoration Program) or in the Double Mahzor ofVienna andJerusalem (ÖNB, Cod. Hebr. 163, fols. 41, 43).

This kind of decoration is also known from more than forty Latin manuscripts of this same style. According to Ellen J. Beer (oberrheinischen Buchmalerei), this style probably began in the North of France in the thirteenth century in a Cistercian scriptorium and spread through the establishment of daughter monasteries in to the Upper Rhine in the South West of Germany, especially in Freiburg, Basel and Constance at the end of the 13th and the first half of the 14th century.

 

In Strasbourgwhere, according to the divorce document ViennaSemag was probably copied, and in the neighboring Upper Rhine towns of Basel, Constance and Freiburg, Jewish communities flourished in the first decades of the fourteenth century. Strasbourg received the title of a free imperial city in 1262 from the German king Philip of Swabia, which made it blossom even further from what it was before, and the number of the Jews constantly increased. Most of them were rich moneylenders, and in 1242 they paid the highest tax of all Jewish communities of the empire. Although they suffered from the Rindfleisch Massacre of 1298, the community of Strasbourg became a haven to the Jews expelled from France in 1306. The number of the Jews increased, numbering about 300 families in the first half of the 14th century. The scribe of the Vienna Semag may have been of the emigrants from France to Strasbourg, since he marked the word “and in France” (ובצרפת) on vol. II, fol. 38.

In the 1340s, when the Semag was copied the Jewish community of Strasbourg must have been at the height of its affluence, it were supported by the patricians in the council against the master craftsmen, who owed money to the Jews. Five years later, on February 14th 1349, 2,000 Jews were burned at the stake, in spite of the conviction of the council of Strasbourg, that the Jews were innocent of the accusation of poisoning the wells and causing the Black Death to spread in the city (Ta-Shma, "Moses … of Coucy").

It can concluded that if the date and place of the divorce document was not the actual date of the manuscript, but the scribe copied these details from his model, the manuscript was most likely copied in the Upper Rhine area before 1349 when many communities in this area were destroyed.

 

In 1545 the ViennaSemag, was sent from the Land of Israel. A century later it reached the Land of Israel again and sent back to Europe in 1637. During the 17th century the owners of the book were the members of the Shalky Wort (שלקי ווערט' או ווערד) family of Polishburg andJerusalem for at least three generations.

 

In the 19th century the manuscript was in Bratislava (Pressburg), in the possession of a scribe Moses Müller, who had in his possession also two ketubbot (Vienna, ÖNB, Cod. Hebr. 135, 136) and a Vienna Seder Tikkunei Shabbat, (Vienna, ÖNB, Cod. Hebr. 130).

 

38 Suggested Reconstruction
39 History/Provenance
Three owners' inscriptions:

I. Shimeon Wolf ben Yedidya
Vol. I, fol. 19v: An owner’s inscription written in dark brown ink in cursive script at the lower part of the page:
בהיו' מכח רוב שנים נשטשטש (!) הכתב ובדוחק הי' לקרות כא' (=כי אם) אחר עיון גדול/
ע"כ (=על כן) נעתק מלה במלה ואות באות/ זה הסמ"ג שס"ה מצות ל"ת (=לא תעשה) עם עוד הכרך רמ"ח מ"ע (=מצות עשה) נשלח לי מארץ הקדושה/ ע"י שליח מאת הסופר מהיר ספרא דוקנא הכל בכתב ה' עליו השכיל כמוהר"ר/ משה מק"ק קיווא וקבלתי ער"ח סיון במנין שאנו מנין ה"א ק"ץ הימי"ן לפק/ שמעון וואלף בכמר ידידי' זלה"ה."

Paraphrase:
Shimeon Wolf ben Yedidya states that he received this two volume Semag, from the Holy Land by a emissary the scribe Moshe of Kijewo קיווא); now in Poland) in the Eve of the 1st of month Sivan, 5305 (1545).
The first two lines of the inscription states that in the course of the years Shimeon Wolf's inscription became illegible and therefore it was copied word by word and letter by letter.

II. Uri ben Avraham of the Shalky Wort family
Vol. II, fol. 2v, at the lower part of the page:
ראיתי אנשים רעות שקונים ספרים בלא מעות רק בחמשה אצבעות/ ויראתי יבוא אחד מן השוק ויעשה עליו צוק לכן אני בא בחתמתי שמי/ על זה הספר נא' אורי בן לאא' אברהם ז"ל איש שלקי ווערד.
Paraphrase:
Uri ben Avraham signed his name on the Semag second volume to state his ownership. According to the following inscription, he also owned the first volume of this manuscript.

III. Yehudah Leib son of Yekutiel of the Shalky Wort family
Vol. I, fol. 19v: A third owner’s inscription inscribed in the middle of the page and can hardly be read only under UV light:

עמ"ו עש"ו/ זה הספר סמ"ג וגם סמ"ק שלח לנו אבינו מארץ ישראל שנה לפני מותו עם שליח מארץ הקדושה/ ירושלים תובב ועל הקדוש יאמר שמו כהר"ר יוסף כהן יץ בשנת שצ"ח לפ"ק/ ויהי בשנה אחרת שנת שצ"ט לפ"ק נתבקש אבי כהר"ר אורי בר אברהם זל בישיבה של מעלה וחי… ולכל ישראל שבק/ נאם יקותיאל בן ה … אורי זצ"ל איש ארץ ישראל ממשפחת שלקי ווערט' הדר לע"ע (=לעת עתה) בפולישברג (או פולשבורג) ולשנה הבא בירושלים איה אמן ואמן/ על אלה אני בוכיה ועיני יורדה מים על פטירת … אמן ואמן אמי מורתי מרת פריידיל בת החבר ר' יעקב בשנת תא עשרים ימים בחודש תשרי בארץ הקדושה/ בעיר ירושלים ת"וב"ב ותקבר עם אישה אבי זקיני כהרר אורי בר אברהם ז"ל וגם היא שלחה הספר הזה לכן כתבתי זאת לזיכרון שגם אבי נתן/ במתנה לאחיו חלקו מחצי הספר הזה קודם שנסע לארץ הקדושה. כה/ דיברי יהודה ליב בן הרר יקותיאל איש ארץ ישראל ממשפחת שלקי ווערט' שנסע לארץ הקדושה בשנת תד."
Translation:
Uri ben Avraham of the Shalky Wort (שלקי ווערד) family sent from Jerusalem this Sefer Mitzvot Gadol together with Sefer Mitzvot Katan to his sons (in Polishburg), a year before his death in 5397 (=1637/8), by the emissary, R. Yosef Cohen (see: יערי, שלוחי ארץ ישראל, עמ' 270).
This inscription continues by Yekutiel ben Uri, now lives in Polishburg ((פולישברג, on the death of his father Uri ben Avraham on 5398 (=1638/9) and his mother, Freidel bat Yaacov (מרת פריידיל בת החבר ר' יעקב), who also died in Jerusalem in the 20th of the month of Tishrei, 5401 (6.10.1640). He also notes that his father, gave half of the manuscript to his brother as a gift before leaving to Jerusalem.
The inscription is written by Yehudah Leib son of Yekutiel, of the Land of Israel of the Shalky Wort family (שלקי ווערט') who traveled to Israel in the year 5404 (1644).

Vol. I, fols. 106 and 109: Later notes in the margins.
40 Main Surveys & Excavations
41 Condition
Vol. II, fol. 396 the lower margin is cut-off.
42 Biography
43 Bibliography
יערי, שלוחי ארץ ישראל
א. יערי, שלוחי ארץ ישראל. תולדות השליחות מהארץ לגולה מחורבן בית שני עד המאה התשע עשרה, ירושלים תשי"א.
Beer, Oberrheinischen Buchmalerei
Beer, E. J., Beiträge zur Oberrheinischen Buchmalerei in der esten Haelfte des 14 Jahrhunderts unter besonderer Beruecksichtigung der Initialornamentik, Basel und Stuttgart 1959

Blumenkranz, " Strasbourg"
Blumenkranz, B., "Strasbourg", Encyclopedia Judaica, Jerusalem 1972, vol. 15, cols. 422-6

Deutsch, 1846
Deutsch, S., "Die hebräischen Manuskripte der k. k. Hofbibliothek zu Wien", Österreichische Blätter für Literatur und Kunst, Wien 1846, p. 493

Kraft, Deutsch, 1854
Kraft A., Deutsch S. Die handscriftlischen hebräischen Werke der k. k. Hofbibliothek zu Wien. Catalogus codicum manuscriptorum Bibliothecae Palatinae Vindobonensis, Pars II. Codices Hebraici, Windobonae 1854, pp. 58-60, no L

Schwartz, 1923
Schwarz, A. Z., " Vernachlässigte Quellen der jüdischen Wissenschaft", Menorah. Illustrierte Monatszeitschrift für die jüdische Familie 1, Vienna1923, Abb. 3

Schwartz, 1925
Schwartz, A. Z., Die hebräischen Handschriften der Nationalbibliothek in Wien, Liepzig 1925 (Nr. 63)

Sed-Rajna. Ancient Jewish Art
Sed-Rajna. G., Ancient Jewish Art, Secaucus 1985

Sed-Rajna. "Filigree Ornaments"
Sed-Rajna. G "Filigree Ornaments in Fourteenth-Century Hebrew Manuscripts of the Upper Rhine", Jewish Art, vol. 12/13, Jerusalem 1986/87, pp. 45-54

Ta-Shma, "Moses … of Coucy"
Ta-Shma, I. S., “Moses Ben Jacob of Coucy”, Encyclopedia Judaica, Jerusalem 1972, vol. 12, cols. 418-420

Zunz, Synagogale Poesie
Zunz ,L., Die Synagogale Poesie des Mittelalters, Berlin 1855

Judische Lebenswelten Katalog, Berlin, 1991, vol. I, 6/49, pp. 130-131
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
|
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
1499
48 Temp: Addenda
batch=0198&batch_num=061&OVRPO=ntl%3Atrue%2Cntl_localname%3Atrue%2Csubject%3A%2Csubject_detail%3A%2Cobject%3Atrue%2Cobject_detail%3A%2Cmaker_profession%3Atrue%2Cmaker_name%3Atrue%2Cmaker_detail%3Atrue%2Cdate%3Atrue%2Cperiod%3Atrue%2Cperiod_detail%3Atrue%2Cphotographer%3Atrue%2Cphoto_date%3Atrue%2Corigin%3Atrue%2Corigin_detail%3Atrue%2Cschool%3Atrue%2Cschool_detail%3Atrue%2Ccommunity%3Atrue%2Ccommunity_detail%3Atrue%2Ccollection%3Atrue%2Ccollection_detail%3Atrue%2Ccopyright%3Atrue%2Csite%3Atrue%2Csite_detail%3Atrue%2Clocation%3Atrue%2Clocation_detail%3Atrue%2Cdescription%3A%2Cphotographer_copyright%3A%2Chistorical_origin%3Atrue%2C&

Registrar
Function: Name: Date:
49 Documenter Alissa Fried Yaffa Levy Michal Sternthal 2.1998 8.1999 8.1999 49a
50 Researcher Michal Sternthal Michal Sternthal Yaffa Levy 10.2000 23.11.2000 19.12.01 2008 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head Michal Sternthal 10.2000 53a
54 Editor Judith Cardozo Bezalel Narkiss 21.11.2000; 20.3.02 24.3.02 54a
55 Donor 55a

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Object's images (31 image(s))

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(XXII) ID: 14284 Vienna Semag, , Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14284 Vienna Semag, , Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Coat of arms |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description

Both volumes are bound by wooden boards covered with white parchment (pig skin ?) binding. Gilt edges. The front and back covers of both volumes are embossed and gold tooled with Supralibros of the Hofbibliothek (an emblem of the Austrian Empire Library). On the spine of each volume is a gold-tooled corresponding inscription: vol. I “SEMAG. I.” and vol. II “SEMAG. II.”.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Structure: wooden boards covered with white parchment
Decoration: embossed and gold-tooled
Bonding: not relevant
Inscription: gold-tooled

25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198060
45 Temp: Batch Number
198 | 060
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14284
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14285 Vienna Semag, Vol. I, fol. 1, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14285 Vienna Semag, Vol. I, fol. 1, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 1
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Hybrid
Fowl
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 1: The initials of the opening page of the book are written in display script within an elaborate panel of red filigree with blue floral motifs. The initial letters of the Psalms verses (119: 97, 166 and 35) in the vertical part of the panel forming the acrostic name Moshe (ben Jacob of Coucy? or, the name of the scribe). This name is repeated in the initials of the second paragraph “Moses received Torah” (משה קבל תורה) which are written in the horizontal part. Blue and magenta medallions inhabited by two-legged hybrids, and a fowl in spared-ground technique decorate the borders of the panel, one of which is placed in the panel possibly to indicate its two parts. The panel is framed by bow-shaped motif in alternating blue and green. Red flourishes extend from the medallions into the margins and between the text columns.
21 Ornamentation Initial word panel
Two-legged hybrids
Fowl
 
21 Ornamentation
Initial word panel
Two-legged hybrids
Fowl
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, blue and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198061
45 Temp: Batch Number
198 | 061
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14285
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14286 Vienna Semag, Vol. I, fol. 20v, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14286 Vienna Semag, Vol. I, fol. 20v, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 20v
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Hybrid
Fowl |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description

Vol. I, fol. 20v: The initials of “The first precept not to” (המצוה ראשונה שלא), which open the Negative Precepts section, are written in display script within a large rectangular panel of red filigree with blue and magenta floral motifs. The first two initial words are written in small display script, while the third one is the largest and written in large display script and decorated in its stems by small rosettes. Many blue and magenta medallions inhabited by two-legged hybrids and fowls in spared-ground technique are scattered in and around the initials. The top and bottom of the panel are decorated by two painted bands of yellow foliate scrolls dotted by purple and red on a green ground. In the lower part of the left text column, the initial "Not to” ((שלא of the second negative precept is written in display script within a small red filigree panel and decorated by a magenta medallion of a yellow flower in green circle dotted in white. The text space is framed by stripes of magenta blue and yellow wavy lines, which terminate in the upper and lower margins with another four inhabited medallions. Flourishes extend from these medallions into the margins.

21 Ornamentation Initial word panel
Two-legged hybrids
Fowl
 
21 Ornamentation
Initial word panel
Two-legged hybrids
Fowl
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, blue, green, yellow, purple, and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
88 x 115 mm.
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198062
45 Temp: Batch Number
198 | 062
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14286
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14287 Vienna Semag, Vol. I, fol. 21, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14287 Vienna Semag, Vol. I, fol. 21, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 21
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Fleur-de-lys |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 21: The initial word: ”It is written” (כתוב) in the right text column, is written in display script within a small panel of red filigree decorated by a green and yellow framed medallion enclosing a purple fleur-de-lys on magenta ground. Red flourishes extend to the intercolumnar space
21 Ornamentation Initial word panel
fleur-de-lys
 
21 Ornamentation
Initial word panel
fleur-de-lys
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, green, purple, yellow and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198063
45 Temp: Batch Number
198 | 063
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14287
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14288 Vienna Semag, Vol. I, fol. 21-detail, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14288 Vienna Semag, Vol. I, fol. 21-detail, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 21-detail
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Fleur-de-lys |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 21: The initial word: ”It is written” (כתוב) in the right text column, is written in display script within a small panel of red filigree decorated by a green and yellow framed medallion enclosing a purple fleur-de-lys on magenta ground. Red flourishes extend to the intercolumnar space
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198064
45 Temp: Batch Number
198 | 064
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14288
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14289 Vienna Semag, Vol. I, fol. 38, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14289 Vienna Semag, Vol. I, fol. 38, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 38
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Hybrid
Fowl
Acanthus Leaf
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 38: Under the display title "Sabbath Laws" (הלכות שבת), are the initial words:”The Lord ordered” (((צוה ה'(קדוש) ב'(רוך) ה'(וא, written in display script within a red filigree rectangular panel. Blue and magenta medallions inhabited by trefoil leaves, two-legged hybrids and a fowl in spared-ground technique are placed between the initials and in the borders of the panel. Red flourishes extend from the corner medallions into the margins of the left text column.
21 Ornamentation Initial word panel
Hybrid
Fowl
Leaf
 
21 Ornamentation
Initial word panel
Hybrid
Fowl
Leaf
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, blue and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198065
45 Temp: Batch Number
198 | 065
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14289
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14290 Vienna Semag, Vol. I, fol. 51v, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14290 Vienna Semag, Vol. I, fol. 51v, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 51v
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Rosette
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 51v: Three decorated initial word panels "Who flayer the (skin)" (המפשיט מן (העור)); "Who tanner the (skin)" ((המעבד מן (העור) and "Who salting" (המולח), are written in display script within three horizontal panels of red filigree penwork. Flourishes extend from the panels into the margins of the right text column.
21 Ornamentation Decorated initial word panel
 
21 Ornamentation
Decorated initial word panel
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198066
45 Temp: Batch Number
198 | 066
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14290
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14292 Vienna Semag, Vol. I, fol. 63, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14292 Vienna Semag, Vol. I, fol. 63, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 63
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Queen
Fowl
Two-legged hybrid |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 63: The initial words for the “Laws of Women’s Jewelries” (דין תכשיטי אשה) regarding the Sabbath laws, are written in display script within red filigree panel. Two blue and magenta medallions flanking the last initial, enclosing a fowl on the right and bust of a crowned woman on the left in spared ground technique. The crowned bust may allude to the "coronets of silver and gold on her head" (חשוק של כסף או של זהב על ראשה...) in the following text. Red flourishes extend from the panel into the margins.
21 Ornamentation Initial word panel
Two legged hybrid
Fowl
 
21 Ornamentation
Initial word panel
Two legged hybrid
Fowl
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, blue and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198068
45 Temp: Batch Number
198 | 068
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14292
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14300 Vienna Semag, Vol. I, fol. 63-detail, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14300 Vienna Semag, Vol. I, fol. 63-detail, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 63-detail
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Queen
Filigree work panel
Fowl |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 63: The initial words for the “Laws of Women’s Jewelries” (דין תכשיטי אשה) regarding the Sabbath laws, are written in display script within red filigree panel. Two blue and magenta medallions flanking the last initial, enclosing a fowl on the right and bust of a crowned woman on the left in spared ground technique. The crowned bust may allude to the "coronets of silver and gold on her head" (חשוק של כסף או של זהב על ראשה...) in the following text. Red flourishes extend from the panel into the margins.
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198078
45 Temp: Batch Number
198 | 078
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14300
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14293 Vienna Semag, Vol. I, fol. 87, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14293 Vienna Semag, Vol. I, fol. 87, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 87
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Fowl
Two-legged hybrid
Initial word, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 87: The repeated initials “Not to” שלא)) for six negative precept are written in display script one above the other against red filigree pen-work, forming a vertical panel decorated by blue rosettes. Red and blue medallions inhabited by two-legged hybrids and a fowl in spared-ground technique are placed between the initials. Flourishes extend from the corner rosettes into the margins.
21 Ornamentation Decorated initial word panel
Two-legged hybrid
Fowl
 
21 Ornamentation
Decorated initial word panel
Two-legged hybrid
Fowl
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, blue and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198070
45 Temp: Batch Number
198 | 070
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14293
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14303 Vienna Semag, Vol. I, fol. 87-detail, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14303 Vienna Semag, Vol. I, fol. 87-detail, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 87-detail
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Fowl
Two-legged hybrid
Initial word, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 87: The repeated initials “Not to” שלא)) for six negative precept are written in display script one above the other against red filigree pen-work, forming a vertical panel decorated by blue rosettes. Red and blue medallions inhabited by two-legged hybrids and a fowl in spared-ground technique are placed between the initials. Flourishes extend from the corner rosettes into the margins.
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198071
45 Temp: Batch Number
198 | 071
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14303
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14294 Vienna Semag, Vol. I, fol. 105v, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14294 Vienna Semag, Vol. I, fol. 105v, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 105v
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Rosette
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description

Vol. I, fol. 105v:The final words "completing the laws of Sabbath eve and festivals” (שלמו הלכות ערבי שבתות וימים טובים) are written in bold black letters in three lines, within a simple red ink frame decorated with small red flowers. 

Below the frame is a red filigree pen-work panel for the next section’s initial words: “Laws of unleavened bread” (הלכות חמץ). The initial words are written within a panel decorated with foliate scrolls and blue flowers which are placed within the panel and on each corner. Red flourishes extend from the panel along both sides of the text column.

21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198072
45 Temp: Batch Number
198 | 072
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14294
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14295 Vienna Semag, Vol. I, fol. 197, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14295 Vienna Semag, Vol. I, fol. 197, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 197
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 197: The initial letter ”heh” (ה) of the repeated first word (הדין) of the laws is written in display script against a red small square filigree panels. Flourishes extend from each panel to the right side of the columns.
21 Ornamentation Decorated initial letter panel
 
21 Ornamentation
Decorated initial letter panel
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment; red ink
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198073
45 Temp: Batch Number
198 | 073
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14295
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14296 Vienna Semag, Vol. I, fol. 294v, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14296 Vienna Semag, Vol. I, fol. 294v, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. I, fol. 294v
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Dog
Illustrative Initial-word panel |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. I, fol. 294v: The initial word “the prosecutor” (התובע) of one of the positive percept of Sabbatical year, placed in the right-hand column, is written in display script in small panel of red filigree. The panel is accompanied by blue medallion enclosing bust of a bulldog facing to the text in spared-ground technique. This image of the frightening dog may allude to the initial word. Flourishes extend from the panel into the outer margin.
21 Ornamentation Decorated initial word panel
 
21 Ornamentation
Decorated initial word panel
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink and blue paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198074
45 Temp: Batch Number
198 | 074
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14296
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14297 Vienna Semag, Vol. II, fol. 2v, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14297 Vienna Semag, Vol. II, fol. 2v, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. II, fol. 2v
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Fowl
Two-legged hybrid
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. II, fol. 2v: The initial words: “Positive precept” (מצות עשה) at the opening List of the positive percepts are written in display script within a horizontal panel against red filigree ground with floral motifs. The panel is framed by bow-shaped patterns in alternating green and blue and decorated by six blue and magenta medallions inhabited by two-legged hybrids and a fowl in spared ground technique. Red flourishes extend from the corner medallions into the margins and framing the text column. The alphabet numeration for the percepts is written in square letters along the right margin.
21 Ornamentation Decorated initial word panel
Two-legged hybrids
Bow-shaped patterns
Fowl
 
21 Ornamentation
Decorated initial word panel
Two-legged hybrids
Bow-shaped patterns
Fowl
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, blue, green and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance

Vol. II, fol. 2v, at the lower part of the page is an inscription by the hand of Uri ben Avraham of the Shalky Wort family:
ראיתי אנשים רעות שקונים ספרים בלא מעות רק בחמשה אצבעות/ ויראתי יבוא אחד מן השוק ויעשה עליו צוק לכן אני בא בחתמתי שמי/ על זה הספר נא' אורי בן לאא' אברהם ז"ל איש שלקי ווערד.
Uri ben Avraham signed his name on the Semag second volume to state his ownership. According to the following inscription, he also owned the first volume of this manuscript.
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198075
45 Temp: Batch Number
198 | 075
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14297
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14298 Vienna Semag, Vol. II, fol. 13, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14298 Vienna Semag, Vol. II, fol. 13, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. II, fol. 13
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Hybrid
Fowl
Dog |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. II, fol. 13: At the upper part of the page, the initial word ”When (the Lord) created” (כשברא), opening the Positive Percept section, is written within a large rectangular panel in display script against alternating red and purple filigree triangles of foliate scrolls enclosing blue or red flowers and dots. The panel is decorated within and in the border, with twelve medallions, each enclosing a floral motif, a hybrid, a fowl or a dog in spared ground technique on blue, red, green and pink backgrounds. Flourishes extend from the outer medallions into the margins and between the text columns.
21 Ornamentation Decorated initial word panel
Two-legged hybrids
Floral motif
Fowl
Dog
 
21 Ornamentation
Decorated initial word panel
Two-legged hybrids
Floral motif
Fowl
Dog
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red and purple ink, blue and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198076
45 Temp: Batch Number
198 | 076
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14298
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14299 Vienna Semag, Vol. II, fol. 13-detail, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14299 Vienna Semag, Vol. II, fol. 13-detail, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. II, fol. 13-detail
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Fowl
Dog
Two-legged hybrid
Floral motif
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. II, fol. 13: At the upper part of the page, the initial word ”When (the Lord) created” (כשברא), opening the Positive Percept section, is written within a large rectangular panel in display script against alternating red and purple filigree triangles of foliate scrolls enclosing blue or red flowers and dots. The panel is decorated within and in the border, with twelve medallions, each enclosing a floral motif, a hybrid, a fowl or a dog in spared ground technique on blue, red, green and pink backgrounds. Flourishes extend from the outer medallions into the margins and between the text columns.
21 Ornamentation
 
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198077
45 Temp: Batch Number
198 | 077
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14299
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14301 Vienna Semag, Vol. II, fol. 165v , Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14301 Vienna Semag, Vol. II, fol. 165v , Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. II, fol. 165v
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject High priest
Filigree work panel
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. II, fol. 165v: The initial word “(A positive) precept" (מצות (עשה)) is written in display script within a panel of red filigree. The green and magenta medallion encloses a bust of the high priest in spared ground technique, dressed with the band on his forehead (ziz), the shoulder strap (ephod) with two stones and the breastplate (hoshen). The illustration may allude to the following text of "the high priest who marries a young virgin" (על כהן גדול שישא נערה בתולה). Flourishes extend from the panel into the margins.
21 Ornamentation Decorated initial word panel
 
21 Ornamentation
Decorated initial word panel
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Decorated initial word panel
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198079
45 Temp: Batch Number
198 | 079
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14301
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14302 Vienna Semag, Vol. II, fol. 166, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14302 Vienna Semag, Vol. II, fol. 166, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. II, fol. 166
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Priestly Blessing
Filigree work panel
Clean animal
Lamb
Fowl
Duck
Fish |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. II, fol. 166: The initial word of each positive precept in this page is written in display script within a separate small panel of red filigree. The panel at the top right contains a green and magenta medallion enclosing a bust of a man raising his hands in priestly blessing. This image may allude to the following text of the positive precept of purity of the priests (מצות עשה שיהו הכהנים מטמאין לקרוביהם). The medallions in the other four panels illustrate the texts which follows the repeated first word “To check” (לבדוק) (the purity of the mentioned animals): The one at the bottom right column depicts a crouching lamb, the other three in the left column, enclosing a fowl, a duck and a fish. Each animal is mentioned in the text, except for the duck, probably illustrates the hagav ("grasshopper") which was not familiar to the artist. Red flourishes extend from the panels into the margins.
21 Ornamentation Decorated initial word panels
 
21 Ornamentation
Decorated initial word panels
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, green and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198080
45 Temp: Batch Number
198 | 080
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14302
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a

(XXII) ID: 14291 Vienna Semag, Vol. II, fol. 223v, Strasbourg, 5 September, 1344 edit
Category: Hebrew Illuminated Manuscripts
ID: 14291 Vienna Semag, Vol. II, fol. 223v, Strasbourg, 5 September, 1344 edit  
Category: Hebrew Illuminated Manuscripts

General Document


2 Name/Title Vienna Semag | Unknown
3a Object SeMaG
3b Object Detail Vol. II, fol. 223v
4a Artist/ Maker Unknown (Unknown)
5 Date 5 September, 1344
6 Period Unknown
7 Origin France | Bas-Rhin | Strasbourg
|
8 Community Unknown |
9 Collection Austria | Vienna | Österreichische Nationalbibliothek (ÖNB)
| Cod. Hebr. 34 I & II (Schwartz No. 63)
10 Location Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB)
|
11 Site Unknown
12 School/Style Upper Rhinish school of the 13th-14th century|
13 Iconographical Subject Filigree work panel
Initial word panel, decorative |
14 Category
17 Photographer Unknown
18 Photograph Date
19 Negative/ Photo. No.
19a Scan No.
20 Description Vol. II, fol. 223v: The initial words “Whoever kills (inadvertently)” ((כל ההורג ב(שגגה), are written in display script within a red filigree panel. Green and magenta rosettes are placed between the initial letters and in corners of the panel. Red flourishes extend from the corner flowers into the margin.
21 Ornamentation Initial word panel
 
21 Ornamentation
Initial word panel
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Parchment, red ink, green and magenta paint
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors

26 Measurements
26a Height
26b Length
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
38 Suggested Reconstruction
39 History/Provenance
40 Main Surveys & Excavations
41 Condition
See: General document
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
198067
45 Temp: Batch Number
198 | 067
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
14291
48 Temp: Addenda

Registrar
Function: Name: Date:
49 Documenter 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a



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