The first and second text panels (sheet no. 1) are surrounded by a printed and colored border including:
Frame 1 (text panel 1 - upper margin): At the center, within the scenery of the palace gardens, the crowned and bearded King Ahasuerus sits on the throne under a high canopy at a round laid table. He is flanked by three men on the right and four men on the left, all of whom wear turbans and long gowns (Es. 1:3-8). On either side, there are arcaded buildings in which two groups of four figures sit at a table.
Frame 2 (text panel 1 - lower margin): The crowned Vashti, within the scenery of the palace gardens, sits under a high canopy at a round laid table. She is flanked by three women on either side (Es. 1:9). On the right, a group of servants, all wearing turbans, enter the garden through a gate on the right; the first of them addresses the queen. Most likely, they are coming with the king's order that Vashti should appear before him and his guests (Es. 1:10-11). The scene on the left might depict the moment when the queen, after her refusal, is taken from the palace by two men (alluding to Es. 1:19).
Frame 3 (text panel 2 - upper margin): On the right, the bearded Ahasuerus sits on the throne on a platform, accompanied by the seven men who are princes of Persia and Media. He holds a scepter in his left hand and his other hand points to a man, probably Memucan, who stands before him. Six other men stand behind Memucan (?), and a soldier holding a shield stands behind the king's throne. The scene shows the moment when the king asks his advisers for a piece of advice as to the further fate of Vashti (Es. 1:13-20). On the left, two king's messengers ride on horseback towards a city in the background (Es. 1:21-23).
Frame 4 (text panel 2 - lower margin): At the center, a group of women is brought to the king's court (Es. 2:1-4). They are lead by a man wearing a turban (most likely Hegai) who holds the first one's hand (Es. 2:8). A carriage drawn by two horses can be seen in the background on the left.
The roller: 275 mm (height).
E | Esther, Book of (following the order of the story) | Vashti's banquet (Es. 1:9)
E | Esther, Book of (following the order of the story) | Ahasuerus and the seven princes of Persia and Media (Es. 1:13-15)
E | Esther, Book of (following the order of the story) | Ahasuerus' messenger(s) (Es. 1:22)
E | Esther, Book of (following the order of the story) | Hegai taking Esther and the maiden(s) to the palace (Es. 2:8)
O | Ornamentation: | Foliate and floral ornaments | Floral motif
O | Ornamentation: | Endless knot
E | Esther, Book of (following the order of the story) | Memucan advises the king regarding the fate of Vashti (Es. 1:19)
The manuscript is preserved in satisfactory condition but the state of preservation of the membranes varies. The membranes are crumpled. The fourth membrane is in the best condition, with its decorations and text preserved.
In many places, green paint has flaked off and the text is damaged.
The pattern in this exemplar is poorly printed.
Some sewings are torn.
The Book of Esther in Hebrew
The scroll is formed of 4 sheets containing 10 wide columns of the text with 23-25 lines each, except for col. 8 which has 11 lines divided into two half-columns.
Sheets nos. 1-3 contain 3 columns of the text, and sheet no. 4 contains a single column.
The text is written in Hebrew square Italian script with tagin, in black ink on the flesh side of parchment membranes.
The letters ח (Es. 1:6) and ת (Es. 9:29) are enlarged and bolded. Other enlarged and diminished letters are included in col. 8.
There are some corrections and erasures in the text.
The ruling is made with a hardpoint but it is barely visible.
The pricking is invisible.
The membranes in the scroll are stitched together.
The opening decoration of this scroll differs from all other megillot sharing this pattern.
Some details - such as endless knot patterns - in the scroll are painted with gold paint.
The manuscript is displayed on the permanent exhibition in the Museo Ebraico.
Bibliography concerning this manuscript is unknown but other scrolls sharing the same pattern are described e.g. in:
Mendel Metzger, Eine illustrierte Estherrolle der zweiten Hälfte des 18. Jahrhunderts im Historischen Museum Frankfurt am Main, mit einem Anhang über Megilla-Hülsen, „Schriften des Historischen Museums Frankfurt am Main”, 13 (1972), 95–116.
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megilot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:119-128.