The fourth sheet contains one panel (no. 10) with a single column of the text (no. 19) and
Frame 19 (text panel 10 - upper margin): On the right, the crowned Esther sits in an armchair at a table and writes the Purim letter. This is witnessed by two men wearing turbans who stand next to the table (Es. 9:29). On the left, two mounted messengers ride towards a city (Es. 9:30).
Frame 20 (text panel 10 - lower margin): Five men wearing masks and tall pointed hats are dancing in a circle and playing musical instruments. The scene most likely depicts a Purim celebration contemporary to the manuscript's creator.
Final decoration: A symmetrical composition of flowers, tendrils, and acanthus leaves.
The length of the membranes in the scroll: 1) ca. 530 mm, 2) ca. 390 mm, 3) ca. 395 mm, 4) ca. 255 mm.
An average letter is higher than 2 mm.
E | Esther, Book of (following the order of the story) | Messenger(s) delivering the letter to all provinces (Es. 9:30)
P | Purim | Purim celebration
O | Ornamentation: | Foliate and floral ornaments | Floral motif
O | Ornamentation: | Endless knot
O | Ornamentation: | Foliate and floral ornaments
In general, the scroll is well preserved, however, its state of preservation varies depending on the sheet. The differences concern especially the state of preservation of the text and the coloring of the background on the upper and lower margins.
The second sheet shows diagonal stripes of faded or erased text that in these places is difficult to decipher.
On the third membrane, the text is almost illegible (cols. 13-16) and it contrasts very strongly with the column on the fourth sheet that has been preserved in almost perfect condition (the same is true about its decoration).
The edges of the sheets are straight, but there are some stains on them, e.g. on the third sheet at the top, there is a large wax (?) stain.
The scroll consists of 4 membranes, with 19 text columns each with 23 lines per column, except for col. 16 which has 11 lines divided into two half-columns.
Sheets nos. 1-3 contain 3 double text columns and the last sheet contains a single panel.
The text is inscribed in small Italian square Hebrew script, in black ink on the flesh side of the parchment membranes.
The state of preservation of the text in col. 16 does not allow to determine if the enlarged and diminished letters are inscribed in it; however, it seems that the letter ו in the last line is enlarged. The letters ח (Es. 1:6) and ת (Es. 9:29) are highlighted.
The parchment is bright, rather thick and stiff. Sheet no. 3 is made of a different type of parchment.
The ruling is visible; the least visible are the lines on the first sheet. On all sheets, vertical lines are more strongly marked.
The membranes are stitched together.
The hues of blue paint in which the background was colored vary on the subsequent membranes.
The endless knot patterns were originally decorated with gold paint.
On the second and fourth sheets, there are the seals of the Erlangen University Library.
The scroll is mentioned by Johann Christoph Wagenseil (1633-1705), a German historian, Orientalist, jurist, and Christian Hebraist in his work "Von Erziehung eines jungen Prinzen..." (see "Bibliography"). This is the oldest historical testimony of its existence and at the same time, the earliest mention of the manuscripts adorned with this pattern that is crucial for their dating. Wagenseil claimed that it is the oldest Hebrew manuscript in the world and that is from Persia ("Von Erziehung eines jungen Prinzen..., 229") that must be considered only a metaphor.
The scroll was exhibited on the "Synagoga" exhibition that took place in 1960/1961 in Recklinghausen and in 1961 in Frankfurt am Main (respectively objects B 65 and 128 in the catalogues - see "Bibliography").
The manuscript is mentioned in:
Johann Konrad Irmischer, Handschriften-Katalog der Königlichen Universitäts-Bibliothek zu Erlangen, Frankfurt am Main-Erlangen (Heyder und Zimmer) 1852, 1-2, object 4.
Ernst Roth, Hans Stridl, Lothar Tetzner, Hebräische Handschriften. Teil 2 (Verzeichnis der Orientalischen Handschriften in Deutschland, Bd. VI, 2.), Wiesbaden 1965, object 56.
Synagoga. Kultgeräte und Kunstwerke von der Zeit der Patriarchen bis zur Gegenwart, Städtische Kunsthalle Recklinghausen, 3. November 1960 – 15. Januar 1961, ed. Anneliese Schröder, Recklinghausen 1961, object B 65.
Synagoga. Jüdische Altertümer Handschriften und Kultgeräte. Historisches Museum Frankfurt am Main, 17. Mai – 16. Juli 1961, Frankfurt am Main 1961, object 128.
Mendel Metzger, Eine illustrierte Estherrolle der zweiten Hälfte des 18. Jahrhunderts im Historischen Museum Frankfurt am Main, mit einem Anhang über Megilla-Hülsen, „Schriften des Historischen Museums Frankfurt am Main”, 13 (1972), 95–116.
Theodor Ehrenstein, Das Alte Testament im Bilde: ein Illustrationswerk mit über 2000 Abbildungen, Wien 1923, 911, image 66 (a reproduction of a fragment).
Johann Christoph Wagenseil, Von Erziehung eines jungen Prinzen, der vor allen Studien einen Abscheu hat, daß er dennoch gelehrt und geschickt werde, Leipzig 1705, 229.
The scrolls sharing the same pattern are discussed in:
Dagmara Budzioch, The Decorated Esther Scrolls from the Museum of the Jewish Historical Institute in Warsaw and the Tradition of Megillot Esther Decoration in the Seventeenth and Eighteenth Centuries – An Outline [Polish: Dekorowane zwoje Estery z Żydowskiego Instytutu Historycznego w Warszawie na tle tradycji dekorowania megillot Ester w XVII i XVIII wieku. Zarys problematyki], Warsaw 2019, 1:119-128.
For more information on Wagenseil see e.g.
Harry Zohn, M.C. Davis, Johann Christoph Wagenseil, Polymath, Monatshefte, vol. 46, No. 1 (Jan., 1954), 35-40.