In the upper margin, landscapes nos. 3, 4, and 1 are printed and in the lower margin, there are frames nos. 3-5.
Frame 3: The frame contains the depiction of the walled city. In the central part of the wall, there is a gate at which a man (Mordecai) is seated (Es. 2:19, 2:21).
Frame 4: In the frame, a wedding ceremony of Ahasuerus and Esther is represented. The scene is witnessed by a group of men standing on the right and a group of women standing on the left. The Book of Esther does not mention this episode and the source for this representation remains unknown. It can be influenced by European paintings in which the scene of the marriage of the Virgin Mary and Josef was similarly composed. This can also explain the dress of a man standing in the center that refers to the high priest's robes. The same theme, although illustrated in a slightly different way, can be found in the "Esther scrolls with portrait medallions" and their copies made by hand, as well as in the scrolls designed by Marcus Donath (Mordecai ben Jozl Sofer) of Nitra (see their descriptions in the Index).
Frame 5: On the right, a man with a bow in his hands is depicted; he is aiming at the wheel with the signs of Zodiac on its perimeter (on the left). The scene is shown against the landscape. The depiction symbolically shows the moment of casting lots by Haman (alludes to Es. 3:7). The Book of Esther mentions only casting lots that means appointing the least favorable period for Jews, but there is no reference to the signs of Zodiac in the text.