Under Reconstruction!


(VII) Img. ID: 14404 Inger, Sandek melamed Reb Haim Hone proposing a toast. Illustration for "A man has been born" by Sholem-Aleikhem , , Kyiv (Kiev), 1927 edit  
Category: Modern Jewish Art

General Document

2 Name/Title Inger, Sandek melamed Reb Haim Hone proposing a toast. Illustration for "A man has been born" by Sholem-Aleikhem | Unknown
3a Object Drawing
3b Object Detail
4a Artist/ Maker Inger, Grigory Girsh (Painter)
5 Date 1927
5a Activity Dates
5b Reconstruction Dates
6 Period Unknown
6a Period Detail
7 Origin Ukraine | Kyivs'ka obl. | Kyiv (Kiev)
8 Community Ashkenazi
9 Collection Israel | Jerusalem | Kazovsky Family
9a Documentation / Research project Unknown
10 Location Unknown|
11 Site Unknown
12 School/Style Jewish Avant-Garde in Russia
13 Iconographical Subject Jew, image of
Teacher |
14 Category
17 Photographer Rajner, Mirjam
18 Photograph Date 05.1990
19 Negative/ Photo. No. 458-7
19a Scan No.
20 Description The picture illustrates the scene of the circumcision celebration. In the left part of the picture there is the half-length three-quartered portrait of the sandek proposing a toast. He is wearing a rimmed hat, a frock-coat and grey neck-scarf. There are four teeth seen in his open mouth. His left hand is raised. In his right hand he is holding the wine-glass. On the upper right corner there are three half-figures of the three Jews sitting at the table. The left one is drinking from the glass throwing back his head. He is holding a bottle by his left hand. Another old stout man in a hat and a frock-coat with a beard is sitting turned his back to the first one. He shows a piece of paper to the third man who looks at the piece raising the thumb of the left hand as a sign of appreciation. There are a big empty faceted bottle and the cork on the table to the right of the sandek. Another faceted bottle is represented near to the sandek head. Depicting sandek, the artist dismembers the real volume into geometric bodies (especially a beard consisting of small cubes).
21 Ornamentation
22 Custom
23 Contents
24 Codicology
24a Scribes
24b Script
24c Number of Lines
24d Ruling
24e Pricking
24f Quires
24g Catchwords
24h Hebrew Numeration
24i Blank Leaves

25 Material/Technique
Pencil and India ink on paper
25a Material Structure
25b Material Decoration
25c Material Bonding
25d Material Inscription
25e Material Additions
25f Material Cloth
25g Material Lining
25h Tesserae Arrangement
25i Density
25j Colors
25k Construction Material

26 Measurements
26a Height 270mm
26b Length 360mm
26c Width
26d Depth
26e Circumference
26f Thickness
26g Diameter
26h Weight
26i Axis
26j Panel Measurements
27 Direction/Location
27a Façade (main)
27b Entrances
27c Location of Torah Ark
27d Location of Apse
27e Location of Niche
27f Location of Reader's Desk
27g Location of Platform
27h Temp: Architecture Axis
27i< Arrangement of Seats
27j Location of Women's Section
27k Direction Prayer
27l Direction Toward Jerusalem

28 Coin
28a Coin Series
28b Coin Ruler
28c Coin Year
28d Denomination

29 Signature
Signature in LL: "G.Inger" in cursive Cyrillic letters. Pen and ink.
30 Colophon
31 Scribal Notes
32 Watermark
33 Hallmark
33a Group
33b Subgroup
33c Hallmark Identification
33d Hallmark Group Classification
33e Hallmark Reference
34 Trade Mark
35 Binding
36 Decoration Program
36 Summary and Remarks
The drawing is the school work of Inger, that was done during his studies in Kiev. Inscription on the back - "October-November 1927, Kiev"
38 Suggested Reconstruction
39 History/Provenance
1988 - purchased from the artist by H. Kazovsky 1992 - brought to J-m
40 Main Surveys & Excavations
41 Condition
42 Biography
43 Bibliography
43a Short Name
43b Full Name
43c Volume
43d Page

44 Type
45 Temp: Batch Number
0023 | 020
46 Temp: Aleph Number
47 Temp: Sys. Number / Doc. Name
48 Temp: Addenda
:NO : Ma.3403

Function: Name: Date:
49 Documenter M.R. & L.M. 5.1990, 12.1993 49a
50 Researcher 50a
51 Architectural Drawings 51a
52 Computer Reconstruction 52a
53 Section Head 53a
54 Editor 54a
55 Donor 55a