2 |
Name/Title |
Vienna Semag | Unknown |
3a |
Object |
SeMaG
|
3b |
Object Detail |
Vol. II, fol. 2v |
4a |
Artist/ Maker |
Unknown (Unknown) |
5 |
Date |
5 September, 1344 |
5a |
Activity Dates |
|
5b |
Reconstruction Dates |
|
6 |
Period |
Unknown |
6a |
Period Detail |
|
7 |
Origin |
France | Bas-Rhin | Strasbourg | |
9 |
Collection |
Austria | Vienna | Österreichische Nationalbibliothek (ÖNB) | Cod. Hebr. 34 I & II (Schwartz No. 63) |
10 |
Location |
Austria | Wien (Bundesland) | Wien (Vienna) | Österreichische Nationalbibliothek (ÖNB) | |
11 |
Site |
Unknown |
12 |
School/Style |
Upper Rhinish school of the 13th-14th century| |
13 |
Iconographical Subject |
Filigree work panel Fowl Two-legged hybrid Initial word panel | |
14 |
Category |
|
15 |
Object Copyright |
Österreichische Nationalbibliothek (ÖNB) |
16 |
Photograph Copyright |
Center for Jewish Art |
17 |
Photographer |
Unknown |
18 |
Photograph Date |
|
19 |
Negative/ Photo. No. |
|
19a |
Scan No. |
|
20 |
Description |
Vol. II, fol. 2v: The initial words: “Positive precept” (מצות עשה) at the opening List of the positive percepts are written in display script within a horizontal panel against red filigree ground with floral motifs. The panel is framed by bow-shaped patterns in alternating green and blue and decorated by six blue and magenta medallions inhabited by two-legged hybrids and a fowl in spared ground technique. Red flourishes extend from the corner medallions into the margins and framing the text column. The alphabet numeration for the percepts is written in square letters along the right margin. |
|
 |
|
Decorated initial word panel
Two-legged hybrids
Bow-shaped patterns
Fowl
24a |
Scribes |
|
24b |
Script |
|
24c |
Number of Lines |
|
24d |
Ruling |
|
24e |
Pricking |
|
24f |
Quires |
|
24g |
Catchwords |
|
24h |
Hebrew Numeration |
|
24i |
Blank Leaves |
|
Parchment, red ink, blue, green and magenta paint
25a |
Material Structure |
|
25b |
Material Decoration |
|
25c |
Material Bonding |
|
25d |
Material Inscription |
|
25e |
Material Additions |
|
25f |
Material Cloth |
|
25g |
Material Lining |
|
25h |
Tesserae Arrangement |
|
25i |
Density |
|
25j |
Colors |
|
25k |
Construction Material |
|
26a |
Height |
|
26b |
Length |
|
26c |
Width |
|
26d |
Depth |
|
26e |
Circumference |
|
26f |
Thickness |
|
26g |
Diameter |
|
26h |
Weight |
|
26i |
Axis |
|
26j |
Panel Measurements |
|
27a |
Façade (main) |
|
27b |
Entrances |
|
27c |
Location of Torah Ark |
|
27d |
Location of Apse |
|
27e |
Location of Niche |
|
27f |
Location of Reader's Desk |
|
27g |
Location of Platform |
|
27h |
Temp: Architecture Axis |
|
27i< |
Arrangement of Seats |
|
27j |
Location of Women's Section |
|
27k |
Direction Prayer |
|
27l |
Direction Toward Jerusalem |
|
28a |
Coin Series |
|
28b |
Coin Ruler |
|
28c |
Coin Year |
|
28d |
Denomination |
|
33a |
Group |
|
33b |
Subgroup |
|
33c |
Hallmark Identification |
|
33d |
Hallmark Group Classification |
|
33e |
Hallmark Reference |
|
38 |
Suggested Reconstruction |
Vol. II, fol. 2v, at the lower part of the page is an inscription by the hand of Uri ben Avraham of the Shalky Wort family:
ראיתי אנשים רעות שקונים ספרים בלא מעות רק בחמשה אצבעות/ ויראתי יבוא אחד מן השוק ויעשה עליו צוק לכן אני בא בחתמתי שמי/ על זה הספר נא' אורי בן לאא' אברהם ז"ל איש שלקי ווערד.
Uri ben Avraham signed his name on the Semag second volume to state his ownership. According to the following inscription, he also owned the first volume of this manuscript.
40 |
Main Surveys & Excavations |
See: General document
43a |
Short Name |
|
43b |
Full Name |
|
43c |
Volume |
|
43d |
Page |
|
198075
198 | 075
47 |
Temp: Sys. Number / Doc. Name |
14297
Registrar |
Function: |
Name: |
Date: |
49 |
Documenter |
|
|
49a |
50 |
Researcher |
|
|
50a |
51 |
Architectural Drawings |
|
|
51a |
52 |
Computer Reconstruction |
|
|
52a |
53 |
Section Head |
|
|
53a |
54 |
Editor |
|
|
54a |
55 |
Donor |
|
|
55a |